Ḥāwī L-Funūn Wa-Salwat Al-Maḥzūn, Encompasser of the Arts and Consoler of the Grief-Stricken by Ibn Al-Ṭaḥḥān - Sawa, George Dimitri
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Ḥāwī l-Funūn (Encompasser of the Arts) of Ibn al-Ṭaḥḥān (d. ca. 1057) is a medieval Arabic music dictionary that complements other sources because of the practical knowledge of the author who was an accomplished singer, lutenist and composer. The first part in 80 chapters deals with compositions; voice production and characteristics, unison and duet singing, taking care of the voice; preludes, ornaments, ṭarab; the importance of tonality; approaches to teaching; musical and extra-musical behavior at the court; names of Syrian Fatimid and Ishshīdid singers. The second part in 22 chapters…mehr

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Produktbeschreibung
Ḥāwī l-Funūn (Encompasser of the Arts) of Ibn al-Ṭaḥḥān (d. ca. 1057) is a medieval Arabic music dictionary that complements other sources because of the practical knowledge of the author who was an accomplished singer, lutenist and composer. The first part in 80 chapters deals with compositions; voice production and characteristics, unison and duet singing, taking care of the voice; preludes, ornaments, ṭarab; the importance of tonality; approaches to teaching; musical and extra-musical behavior at the court; names of Syrian Fatimid and Ishshīdid singers. The second part in 22 chapters includes lute manufacturing, frets placement, stringing and tuning; 47 rhythmic ornaments, names and definitions of rhythmic and melodic modes; types of dances; descriptions of 12 instruments.
Autorenporträt
George Dimitri Sawa, Ph.D. (1983, University of Toronto) is an independent researcher concentrating on medieval Arabic music theory and literature. He was trained in Egypt in qanun and classical Arabic music, and in Toronto in Arabic historical musicology. He taught medieval, modern and sacred music at the University of Toronto and York University. He has published over 50 articles in encyclopaedias and academic journals, and is the author of six books: Music Performance Practice in the Early ʿAbbāsid Era and Rhythmic Theories and Practices in Arabic Writings to 950 CE (Institute of Medieval Music, 2009, 2020); Egyptian Music Appreciation and Practice for Bellydancers (Toronto, 2010); Erotica, Love and Humor in Arabia (McFarland, 2016); An Arabic Musical and Socio-Cultural Glossary of Kitāb al-Aghānī and Musical and Socio-Cultural Anecdotes from Kitāb al-Aghānī l-Kabīr (Brill, 2015, 2019).