A Place of Safety (vol. three) Home Not Home - Sullivan, Kyle Michel
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(Continued from "A Place of Safety-New World For Old) Brendan is called home to see his mother before she dies of cancer. Using the chaos of the hunger strikes, he sneaks into Derry despite knowing the British forces still want to interrogate him over the bombing that injured him. Now he must navigate the anger growing around him, even as he discovers he's been lied to about Joanna, learns his father may have been far more than a simple drunken brute, finds his youngest brother, Kieran, hates him, and he is caught in a very casual betrayal that could easily kill him. Yet in the face of the…mehr

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Produktbeschreibung
(Continued from "A Place of Safety-New World For Old) Brendan is called home to see his mother before she dies of cancer. Using the chaos of the hunger strikes, he sneaks into Derry despite knowing the British forces still want to interrogate him over the bombing that injured him. Now he must navigate the anger growing around him, even as he discovers he's been lied to about Joanna, learns his father may have been far more than a simple drunken brute, finds his youngest brother, Kieran, hates him, and he is caught in a very casual betrayal that could easily kill him. Yet in the face of the growing turmoil and exploding violence he continues to fight to determine the direction of his life.
Autorenporträt
Kyle Michel Sullivan used to write screenplays, but shifted to writing books that range from sunshine and light (David Mar-tin) to cold and dark (How To Rape A Straight Guy, which has been banned more than once) to farcical and insane (The Lyons' Den) to mainstream romance (The Alice '65) to a tale of tragedy and redemption (Bobby Carapisi). He has ventured into SF-Horror-Suspense with The Beast in the Nothing Room, done gay revenge in Porno Manifesto and worked up a vicious female revenge thriller in Carli's Kills, then taken Cap-italism to its logical extreme in Hunter. He has also written murder mysteries (Rape in Holding Cell 6, The Vanishing of Owen Taylor, and Underground Guy). He tries to build characters as vivid and real as possible and has a lot of fun doing it mixed with angst, anger, and amaze-ment ... but that's the lot of a writer.