In the fourth and final volume of A History of Iranian Cinema, Hamid Naficy looks at the extraordinary efflorescence in Iranian film and other visual media since the Islamic Revolution.
In the fourth and final volume of A History of Iranian Cinema, Hamid Naficy looks at the extraordinary efflorescence in Iranian film and other visual media since the Islamic Revolution.
Illustrations xi Acknowledgments xv Organization of the Volumes xxi A Word about Illustrations xxvii Abbreviations xxix 1. The Resurgence of Nonfiction Cinema: Postrevolutionary Documentaries and Fiction War Films 1 2. Under Cover, on Screen: Women's Representation and Women's Cinema 92 3. All Certainties Melt into Thin Air: Art-House Cinema, a "Postal" Cinema 175 4. Emergent Contestatory Films, Media Culture, and Public Diplomacy 269 5. Iranian, but with a Different Accent: A Cinema of Displacement or a Displaced Cinema? 369 Appendix A: Iranian Films in Distribution 513 Appendix B: Film House of Iran's Film Collection 515 Appendix C: International Film and Video Center Iranian Film Collection 520 Notes 523 Bibliography 559 Index 591
Illustrations xi Acknowledgments xv Organization of the Volumes xxi A Word about Illustrations xxvii Abbreviations xxix 1. The Resurgence of Nonfiction Cinema: Postrevolutionary Documentaries and Fiction War Films 1 2. Under Cover, on Screen: Women's Representation and Women's Cinema 92 3. All Certainties Melt into Thin Air: Art-House Cinema, a "Postal" Cinema 175 4. Emergent Contestatory Films, Media Culture, and Public Diplomacy 269 5. Iranian, but with a Different Accent: A Cinema of Displacement or a Displaced Cinema? 369 Appendix A: Iranian Films in Distribution 513 Appendix B: Film House of Iran's Film Collection 515 Appendix C: International Film and Video Center Iranian Film Collection 520 Notes 523 Bibliography 559 Index 591
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