Abandoning a conventional delineation of fields by medium, country, or period, this book suggests a lateral view. It charts the audiovisual history of advertising by focussing on objects , screens , practices (production, marketing), and intermediaries . In this way, the book develops new historical, methodological, and theoretical perspectives.
Abandoning a conventional delineation of fields by medium, country, or period, this book suggests a lateral view. It charts the audiovisual history of advertising by focussing on objects , screens , practices (production, marketing), and intermediaries . In this way, the book develops new historical, methodological, and theoretical perspectives.
Bo Florin is Professor of Cinema Studies at the Department for Media Studies, Stockholm University, Sweden. Patrick Vonderau is Professor of Media and Communication Studies at the University of Halle, Germany. Yvonne Zimmermann is Professor of Media Studies at Philipps-University Marburg. Recent books include the co-authored >/cite> (AUP 2021) and the co-edited Films That Work Harder: The Global Circulations of Industrial Cinema (AUP 2023). She is the editor of a special issue on Asta Nielsen, the film star system and the introduction of the long feature film in Early Popular Visual Culture (2021).
Inhaltsangabe
Introduction (Bo Florin Patrick Vonderau and Yvonne Zimmermann) 1. Early Cinema Process Films and Screen Advertising (Yvonne Zimmermann) Part I. Approaches and Methods 2. Advertising and Modernity: A Critical Reassessment (Patrick Vonderau) 3. Advertising and Avantgardes: A History of Concepts 1930-1940 (Yvonne Zimmermann) 4. Advertising as Institution: Charles Wilp and German Television 1950-1970 (Patrick Vonderau) 5. Advertising and the Apparatus: Cinema Television and Out-of-Home Screens (Yvonne Zimmermann) 6. Advertising as Commercial Speech: Truth and Trademarks in Testimonial Advertising (Patrick Vonderau) 7. Advertising's Self-Reference: From Early Cinema to the Super Bowl (Yvonne Zimmermann) Part II. Cases and Materials 8. Moving Objects: The Case of Volvo (Bo Florin) 9. Cinematic Intertexts: H&M Goes YouTube (Bo Florin) 10. Beyond Promotion: The UN Global Goals Campaign (Bo Florin) Select Bibliography Index.
Introduction (Bo Florin Patrick Vonderau and Yvonne Zimmermann) 1. Early Cinema Process Films and Screen Advertising (Yvonne Zimmermann) Part I. Approaches and Methods 2. Advertising and Modernity: A Critical Reassessment (Patrick Vonderau) 3. Advertising and Avantgardes: A History of Concepts 1930-1940 (Yvonne Zimmermann) 4. Advertising as Institution: Charles Wilp and German Television 1950-1970 (Patrick Vonderau) 5. Advertising and the Apparatus: Cinema Television and Out-of-Home Screens (Yvonne Zimmermann) 6. Advertising as Commercial Speech: Truth and Trademarks in Testimonial Advertising (Patrick Vonderau) 7. Advertising's Self-Reference: From Early Cinema to the Super Bowl (Yvonne Zimmermann) Part II. Cases and Materials 8. Moving Objects: The Case of Volvo (Bo Florin) 9. Cinematic Intertexts: H&M Goes YouTube (Bo Florin) 10. Beyond Promotion: The UN Global Goals Campaign (Bo Florin) Select Bibliography Index.
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