Whether on the big screen or small, films featuring the American Civil War have provided the setting, ideologies, and character archetypes for cinematic narratives of morality, race, gender, and nation. Nineteen essays explore all these issues; spanning a wide range of films, from the silent era to the present, as well as several television mini-series, this volume provides a critical conversation about the Civil War on film.
Whether on the big screen or small, films featuring the American Civil War have provided the setting, ideologies, and character archetypes for cinematic narratives of morality, race, gender, and nation. Nineteen essays explore all these issues; spanning a wide range of films, from the silent era to the present, as well as several television mini-series, this volume provides a critical conversation about the Civil War on film.
Douglas Brode developed and taught courses for several decades at Syracuse University's Newhouse School of Public Communications until his recent retirement. Shea T. Brode is an independent scholar who has collaborated with his father as editor on several previous collections. Cynthia J. Miller is senior faculty at Emerson College's Institute for the Liberal Arts and Interdisciplinary Studies.
Inhaltsangabe
Introduction: "Mine Eyes Have Seen the Glory . . . ": The Civil War in the American Popular Imagination Douglas Brode, Shea T. Brode, and Cynthia J. Miller 1. America's Civil War: Hollywood vs. History Earl E. Mulderink III 2. When Silence Was Golden: Civil War Films Before The Birth of a Nation Kayla McKinney Wiggins & Michael Wiggins 3. Not a Lost Cause: the Civil War, Reconstruction, and Race Relations in The Birth of A Nation (1915) and Free State of Jones (2016) Sue Matheson 4. Cornering the Last Rebel: The Confederate Soldier in American Film Paul Haspel 5. Silent Comedy as Social Criticism: A Textual Analysis of The General (1926) Douglas Brode 6. Screen Historian and American Myth Maker?: The Civil War According to John Ford Scott Allen Nollen, with Douglas Brode 7. The North, the South; Black Folks, White Folks: Shirley Temple and Bill "Bojangles" Robinson Kathy Merlock Jackson and Ray Merlock 8. Hidden Behind Hoopskirts: The Many Women of Hollywood's Civil War Rosanne Welch 9. The Golden Age of Hollywood's Belles: Is Tomorrow, After All, Another Day? Biljana Oklopcic 10. Gender, War and Sisterhood in the Novel and Film Versions of Louisa May Alcott's Little Women Fran Pheasant-Kelly 11. Literary and Cinematic Canon Fire: John Huston's The Red Badge of Courage (1951) Guerric DeBona, OSB 12. Adapting The Killer Angels: Historical Accuracy versus Poetic Vision in Gettysburg Peggy A. Russo 13. Whiteness, Whiteness Everywhere: Walt Disney's Civil War Productions Susan Aronstein and Jeanne Holland 14. (Re-)Visionist History in Sergio Leone's (De-)Mythologized Old West: The Civil War, Vietnam, and The Good, The Bad, and the Ugly David S. Silverman 15. The Civil War as TV Miniseries: The Good, the Bad, and the Beautiful Judith Sobré 16. Documentary as an Art Form: Ken Burns' "Creative" Dramatization of the Civil War Martin J. Manning, with Douglas Brode 17. Strange Homecomings: Hollywood and the Narrative of the Warrior's Return Gregory Perrault 18. Featuring Atrocity & H8ful Heritage: Tarantino's Revision of Civil War Mythology Beth Jane Toren 19. Brother Against . . . Monster: Hidden Stories of the Civil War Cynthia J. Miller and A. Bowdoin Van Riper
Introduction: "Mine Eyes Have Seen the Glory . . . ": The Civil War in the American Popular Imagination Douglas Brode, Shea T. Brode, and Cynthia J. Miller 1. America's Civil War: Hollywood vs. History Earl E. Mulderink III 2. When Silence Was Golden: Civil War Films Before The Birth of a Nation Kayla McKinney Wiggins & Michael Wiggins 3. Not a Lost Cause: the Civil War, Reconstruction, and Race Relations in The Birth of A Nation (1915) and Free State of Jones (2016) Sue Matheson 4. Cornering the Last Rebel: The Confederate Soldier in American Film Paul Haspel 5. Silent Comedy as Social Criticism: A Textual Analysis of The General (1926) Douglas Brode 6. Screen Historian and American Myth Maker?: The Civil War According to John Ford Scott Allen Nollen, with Douglas Brode 7. The North, the South; Black Folks, White Folks: Shirley Temple and Bill "Bojangles" Robinson Kathy Merlock Jackson and Ray Merlock 8. Hidden Behind Hoopskirts: The Many Women of Hollywood's Civil War Rosanne Welch 9. The Golden Age of Hollywood's Belles: Is Tomorrow, After All, Another Day? Biljana Oklopcic 10. Gender, War and Sisterhood in the Novel and Film Versions of Louisa May Alcott's Little Women Fran Pheasant-Kelly 11. Literary and Cinematic Canon Fire: John Huston's The Red Badge of Courage (1951) Guerric DeBona, OSB 12. Adapting The Killer Angels: Historical Accuracy versus Poetic Vision in Gettysburg Peggy A. Russo 13. Whiteness, Whiteness Everywhere: Walt Disney's Civil War Productions Susan Aronstein and Jeanne Holland 14. (Re-)Visionist History in Sergio Leone's (De-)Mythologized Old West: The Civil War, Vietnam, and The Good, The Bad, and the Ugly David S. Silverman 15. The Civil War as TV Miniseries: The Good, the Bad, and the Beautiful Judith Sobré 16. Documentary as an Art Form: Ken Burns' "Creative" Dramatization of the Civil War Martin J. Manning, with Douglas Brode 17. Strange Homecomings: Hollywood and the Narrative of the Warrior's Return Gregory Perrault 18. Featuring Atrocity & H8ful Heritage: Tarantino's Revision of Civil War Mythology Beth Jane Toren 19. Brother Against . . . Monster: Hidden Stories of the Civil War Cynthia J. Miller and A. Bowdoin Van Riper
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