Liverpool, 1950. Sixteen-year-old Stella is hired as assistant stage manager by a repertory theatre company and soon falls into a heady infatuation with the director, Meredith - failing to notice how he shows not only no interest in her, but in any woman. When the celebrated actor O'Hara arrives to take the lead in their production of Peter Pan, it sets in motion a drama offstage of lost innocence, tragedy and miscommunication. Peopled by a cast of eccentric characters and the air thick with the scent of greasepaint and cigarettes, An Awfully Big Adventure is an evocative and sharp-edged novel…mehr
Liverpool, 1950. Sixteen-year-old Stella is hired as assistant stage manager by a repertory theatre company and soon falls into a heady infatuation with the director, Meredith - failing to notice how he shows not only no interest in her, but in any woman. When the celebrated actor O'Hara arrives to take the lead in their production of Peter Pan, it sets in motion a drama offstage of lost innocence, tragedy and miscommunication. Peopled by a cast of eccentric characters and the air thick with the scent of greasepaint and cigarettes, An Awfully Big Adventure is an evocative and sharp-edged novel for fans of Penelope Fitzgerald, Muriel Spark and Camilla Grudova.
Beryl Bainbridge is the author of seventeen novels, two travel books and five plays for stage and television. The Dressmaker, The Bottle Factory Outing, An Awfully Big Adventure, Every Man for Himself and Master Georgie (which won the James Tait Black Memorial Prize) were all shortlisted for the Booker Prize, and Every Man for Himself was awarded the Whitbread Novel of the Year Prize. She won the Guardian Fiction Prize with The Dressmaker and the Whitbread Prize with Injury Time. The Bottle Factory Outing, Sweet William and The Dressmaker have all been adapted for film, as was An Awfully Big Adventure, which starred Hugh Grant and Alan Rickman. Beryl Bainbridge died in July 2010.
Rezensionen
Acknowledged as one of the best novelists of her generation...Beryl's literary fiction can have a quality of a detective story: only when we reach a novel's final denouement do we see that we were given the key to its coded mystery at the start. A certain menace emanates from a story's first page and builds almost imperceptibly to its climax in a refined but savage violence Guardian
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