First Published in 1999. This title is the third volume in the ten-volume set titled the Selected Works of Frances Yates. Greyscale illustrations and figures are included throughout - alongside the related descriptive work where applicable. The art in this volume seeks to memorise through a technique of impressing 'places' and 'images' on memory. It has usually been classed as 'mnemotechnics', which appears an unimportant branch of human activity. However, the author discusses in this title that the manipulation of images in memory must always, to some extent, involve the psyche.
First Published in 1999. This title is the third volume in the ten-volume set titled the Selected Works of Frances Yates. Greyscale illustrations and figures are included throughout - alongside the related descriptive work where applicable. The art in this volume seeks to memorise through a technique of impressing 'places' and 'images' on memory. It has usually been classed as 'mnemotechnics', which appears an unimportant branch of human activity. However, the author discusses in this title that the manipulation of images in memory must always, to some extent, involve the psyche.
Preface page I. The Three Latin Sources for the Classical Art of Memory II. The Art of Memory in Greece: Memory and the Soul III. The Art of Memory in the Middle Ages IV. Mediaeval Memory and the Formation of Imagery V. The Memory Treatises VI. Renaissance Memory: The Memory Theatre of Giulio Camillo VII. Camillo's Theatre and the Venetian Renaissance VIII. Lullism as an Art of Memory IX. Giordano Bruno: The Secret of Shadows X. Ramism as an Art of Memory XI. Giordano Bruno: The Secret of Seals XII. Conflict between Brunian and Ramist Memory XIII. Giordano Bruno: Last Works on Memory XIV. The Art of Memory and Bruno's Italian Dialogues XV. The Theatre Memory System of Robert Fludd XVI. Fludd's Memory Theatre and the Globe Theatre XVII. The Art of Memory and the Growth of Scientific Method Index
Preface page I. The Three Latin Sources for the Classical Art of Memory II. The Art of Memory in Greece: Memory and the Soul III. The Art of Memory in the Middle Ages IV. Mediaeval Memory and the Formation of Imagery V. The Memory Treatises VI. Renaissance Memory: The Memory Theatre of Giulio Camillo VII. Camillo's Theatre and the Venetian Renaissance VIII. Lullism as an Art of Memory IX. Giordano Bruno: The Secret of Shadows X. Ramism as an Art of Memory XI. Giordano Bruno: The Secret of Seals XII. Conflict between Brunian and Ramist Memory XIII. Giordano Bruno: Last Works on Memory XIV. The Art of Memory and Bruno's Italian Dialogues XV. The Theatre Memory System of Robert Fludd XVI. Fludd's Memory Theatre and the Globe Theatre XVII. The Art of Memory and the Growth of Scientific Method Index
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