The contributors to this volume explore the phenomena of authorship, attribution, and author function in literature produced in the ancient Mediterranean. Moving beyond traditional questions regarding forgery or authorial (in)authenticity, they analyze the roles that ascribed authorship plays in the production of textual networks, the construction of authoritative figures, and the history of literary culture and book culture. They include scholars whose work on authorship and attribution is mutually informative beyond disciplinary boundaries, particularly scholars of early Christianity, early Judaism, classics, and the ancient Near East.…mehr
The contributors to this volume explore the phenomena of authorship, attribution, and author function in literature produced in the ancient Mediterranean. Moving beyond traditional questions regarding forgery or authorial (in)authenticity, they analyze the roles that ascribed authorship plays in the production of textual networks, the construction of authoritative figures, and the history of literary culture and book culture. They include scholars whose work on authorship and attribution is mutually informative beyond disciplinary boundaries, particularly scholars of early Christianity, early Judaism, classics, and the ancient Near East.
Produktdetails
Produktdetails
Wissenschaftliche Untersuchungen zum Neuen Testament 2. Reihe 609
Chance E. Bonar (Herausgegeben von) Born 1993; 2023 PhD in Religion at Harvard University; Postdoctoral Fellow at the Center for the Humanities at Tufts University and Lecturer in Advanced Greek at Harvard Divinity School. Julia D. Lindenlaub (Herausgegeben von) Born 1992; 2020 PhD in New Testament and Christian Origins at the University of Edinburgh; Content Manager for Academic Journals at Cambridge University Press.
Inhaltsangabe
Julia D. Lindenlaub and Chance E. Bonar: Introduction to Authorial Fictions and Attributions in the Ancient Mediterranean - Robyn Faith Walsh: The Epistle to the Laodiceans and the Art of Tradition - Claire Jackson: Authorial Fictions, Phoenician Paradigms, and the Reception of Achilles Tatius' Leucippe and Clitophon in the Lives of Galaction and Episteme - Rebecca Wollenberg: Outside Bible Readers as an Author Character in Rabbinic Literature: Using Attribution to Preserve and Contain Subversive Positions - Julia D. Lindenlaub: The Fictive Author and the Reading Community in the Apocryphon of James (NHC I,2) - Nicholas Baker-Brian: Writing Truth and Secrets: Authorship and the Legitimizing Role of Apocalyptic in Manichaeism - Chance E. Bonar: Coauthorial Attribution and the Teachings of Silvanus (NHC VII,4) - Elena Dugan: Melito's Enoch: Anti-Judaism and the Transmission of the Pseudepigrapha - Emily C. Mitchell: From Beyond the Grave: 'Ventriloquizing' the Enslaved and the Emancipated in Latin Verse Epitaphs - Jeremiah Coogan: Gospel Authorship Between Collaboration and Monography - Sophus Helle: Janus-Faced Authors: Production or Presentation?
Julia D. Lindenlaub and Chance E. Bonar: Introduction to Authorial Fictions and Attributions in the Ancient Mediterranean - Robyn Faith Walsh: The Epistle to the Laodiceans and the Art of Tradition - Claire Jackson: Authorial Fictions, Phoenician Paradigms, and the Reception of Achilles Tatius' Leucippe and Clitophon in the Lives of Galaction and Episteme - Rebecca Wollenberg: Outside Bible Readers as an Author Character in Rabbinic Literature: Using Attribution to Preserve and Contain Subversive Positions - Julia D. Lindenlaub: The Fictive Author and the Reading Community in the Apocryphon of James (NHC I,2) - Nicholas Baker-Brian: Writing Truth and Secrets: Authorship and the Legitimizing Role of Apocalyptic in Manichaeism - Chance E. Bonar: Coauthorial Attribution and the Teachings of Silvanus (NHC VII,4) - Elena Dugan: Melito's Enoch: Anti-Judaism and the Transmission of the Pseudepigrapha - Emily C. Mitchell: From Beyond the Grave: 'Ventriloquizing' the Enslaved and the Emancipated in Latin Verse Epitaphs - Jeremiah Coogan: Gospel Authorship Between Collaboration and Monography - Sophus Helle: Janus-Faced Authors: Production or Presentation?
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