Avian Aesthetics in Literature and Culture challenges species centrism through essays that bridge various environment-focused perspectives and methodologies.
Avian Aesthetics in Literature and Culture challenges species centrism through essays that bridge various environment-focused perspectives and methodologies.
Danette DiMarco is professor of English at Slippery Rock University. Timothy Ruppert is assistant professor of English at Slippery Rock University.
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Introduction: The Continuous Line Between Birds and Humans in Animal Studies Today Danette DiMarco and Timothy Ruppert SECTION 1 - The Avian-ness of Aesthetics Chapter 1: Birdwatching and Wordwatching: The Avian Aesthetics of Virginia Woolf's Mrs Dalloway Jemma Deer Chapter 2 Birds as Character, Motif, Allusion, and Symbol in Meir Shalev's A Pigeon and a Boy Laura Major Chapter 3: "With An Aviary Inside Its Head": Surrealist Sensibilities and Avian Ontologies in the Work of J. G. Ballard and Ted Hughes Declan Lloyd Chapter 4: The Optimism of Flight: Magical Realism in Little Nemo in Slumberland Mark O'Connor SECTION 2 - Writing About/Like Birds Chapter 5: The Fate of Birds in Anatole France's Penguin Island Timothy Ruppert Chapter 6: Of Curlews and Crows: Representations of Avian Cognition in North American Animal Stories Jennifer Schell Chapter 7: What is it like to write (like) a bird?: Rethinking Literary Practice to Support Avian Subjectivity Joshua Lobb Chapter 8: Margaret Atwood's Bir
Introduction: The Continuous Line Between Birds and Humans in Animal Studies Today Danette DiMarco and Timothy Ruppert SECTION 1 - The Avian-ness of Aesthetics Chapter 1: Birdwatching and Wordwatching: The Avian Aesthetics of Virginia Woolf's Mrs Dalloway Jemma Deer Chapter 2 Birds as Character, Motif, Allusion, and Symbol in Meir Shalev's A Pigeon and a Boy Laura Major Chapter 3: "With An Aviary Inside Its Head": Surrealist Sensibilities and Avian Ontologies in the Work of J. G. Ballard and Ted Hughes Declan Lloyd Chapter 4: The Optimism of Flight: Magical Realism in Little Nemo in Slumberland Mark O'Connor SECTION 2 - Writing About/Like Birds Chapter 5: The Fate of Birds in Anatole France's Penguin Island Timothy Ruppert Chapter 6: Of Curlews and Crows: Representations of Avian Cognition in North American Animal Stories Jennifer Schell Chapter 7: What is it like to write (like) a bird?: Rethinking Literary Practice to Support Avian Subjectivity Joshua Lobb Chapter 8: Margaret Atwood's Bir
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