A chronological treatment of more than 400 separate pieces and movements presents essential information about each: the year of publication, the various editions in which it has been published, its timing, the level of technical and interpretive difficulty, and bibliographical references to it. To this basic treatment Yeomans has added pertinent quotations from Bartok and other authorities, a discussion of the original folk material when applicable, a musical analysis, suggestions for performance, and comments on Bartok's own recordings of the work.
An introductory chapter traces Bartok's career as a concert pianist and a piano teacher and includes his own performance directives for the interpretation of his piano music. One of the helpful appendixes treats Bartok's piano transcriptions of other composers' works.
" . . . detailed and thorough . . . a wealth of information . . . David Yeomans deserves our thanks for a job exceedingly well done." -American Music Teacher " . . . a must for pianists . . . " -American Reference Book Annual "David Yeomans's study is certainly to be recommended for all good music libraries, pianists and students of Bartók." -The Music Review "Although there are currently more than 15 books in print about composer Béla Bartók, this short volume is unique in its focus on his complete oeuvre for solo piano. . . . Recommended for pianists, piano teachers, and students from lower-division undergraduate level and above." -Choice " . . . the entire book is indispensable for any of us before we play another Bartók piece." -Clavier "This work collects in one place an enormous number of 'facts' about the piano music of Bartók . . . for planning concerts and student repertoire, and as a survey of an important body of 20th-century music, this listing is valuable." -Library Journal This chronological listing of more than 400 pieces and movements presents in convenient form essential information about each of Bartók's solo piano works, including its various editions, timing, level of difficulty, pertinent remarks by the composer, and bibliographical references to it.
An introductory chapter traces Bartok's career as a concert pianist and a piano teacher and includes his own performance directives for the interpretation of his piano music. One of the helpful appendixes treats Bartok's piano transcriptions of other composers' works.
" . . . detailed and thorough . . . a wealth of information . . . David Yeomans deserves our thanks for a job exceedingly well done." -American Music Teacher " . . . a must for pianists . . . " -American Reference Book Annual "David Yeomans's study is certainly to be recommended for all good music libraries, pianists and students of Bartók." -The Music Review "Although there are currently more than 15 books in print about composer Béla Bartók, this short volume is unique in its focus on his complete oeuvre for solo piano. . . . Recommended for pianists, piano teachers, and students from lower-division undergraduate level and above." -Choice " . . . the entire book is indispensable for any of us before we play another Bartók piece." -Clavier "This work collects in one place an enormous number of 'facts' about the piano music of Bartók . . . for planning concerts and student repertoire, and as a survey of an important body of 20th-century music, this listing is valuable." -Library Journal This chronological listing of more than 400 pieces and movements presents in convenient form essential information about each of Bartók's solo piano works, including its various editions, timing, level of difficulty, pertinent remarks by the composer, and bibliographical references to it.