Black Orpheus and the Globalization of Afro-Brazilian Culture presents a nuanced transnational analysis of the development, production, reception, and legacy of the 1958 movie Black Orpheus. It highlights the role of new Afro-Brazilian actors, musicians, and performers and their interlocutors in the circulation of Afro-Brazilian popular music.
Black Orpheus and the Globalization of Afro-Brazilian Culture presents a nuanced transnational analysis of the development, production, reception, and legacy of the 1958 movie Black Orpheus. It highlights the role of new Afro-Brazilian actors, musicians, and performers and their interlocutors in the circulation of Afro-Brazilian popular music.
DAIRÉN J. DAVIS is a professor and the chair of Africana studies at Rutgers University–Newark. He is the author of four books, three edited volumes, and more than 40 essays and articles in English, Spanish and Portuguese.
Inhaltsangabe
Preface Introduction: From Stage to Technicolor Part I: The Making of Black Orpheus
Chapter 1: Imagining A Brazilian Black Orpheus Chapter 2: The Black Cast Chapter 3: The Soundtrack Chapter 4: Oblique Gazes: The Transnational Reception of Black Orpheus Part II: Black Orpheus Legacies and the Globalization of Afro-Brazilian Culture Chapter 5: Transnational Lights Beyond Black Orpheus Chapter 6: Bossa Negra in the United States Chapter 7: Baden Powell and Maria d’Apparecida in Paris Conclusion
Preface Introduction: From Stage to Technicolor Part I: The Making of Black Orpheus
Chapter 1: Imagining A Brazilian Black Orpheus Chapter 2: The Black Cast Chapter 3: The Soundtrack Chapter 4: Oblique Gazes: The Transnational Reception of Black Orpheus Part II: Black Orpheus Legacies and the Globalization of Afro-Brazilian Culture Chapter 5: Transnational Lights Beyond Black Orpheus Chapter 6: Bossa Negra in the United States Chapter 7: Baden Powell and Maria d’Apparecida in Paris Conclusion
Epilogue Glossary Acknowledgments Index
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