This book contributes to various political debates about Central Europe in terms of its literary-symbolic geography. The author contends that the research about Central Europe must, first of all, be exempted from its mythicisation. The idealisation of a past of monarchical and tolerant coexistence represents a dangerous stereotype to be deconstructed, rather than resurrected. The monograph offers an up-to-date critical view of Central Europe that takes into account various historical, geopolitical, and, above all, cultural-spiritual standpoints.
This book contributes to various political debates about Central Europe in terms of its literary-symbolic geography. The author contends that the research about Central Europe must, first of all, be exempted from its mythicisation. The idealisation of a past of monarchical and tolerant coexistence represents a dangerous stereotype to be deconstructed, rather than resurrected. The monograph offers an up-to-date critical view of Central Europe that takes into account various historical, geopolitical, and, above all, cultural-spiritual standpoints.
Milo Zelenka is Professor of Slavic Literatures at the Institute of Languages and Cultures of Central Europe at the Constantine the Philosopher University (Nitra, Slovakia). He specialises in literary history, with a focus on the literary comparative studies in the Central European context, and interliterary communities.
Inhaltsangabe
Table of Contents-Introduction-Central Europe as an issue of comparative literary studies-Central Europe from the point of view of "ingressive" literary history and conception of the so-called cultural saints-Central Europe from an imagological perspective-Minimalist and maximalist conception of Central Europe (Principles of interliterary communication)-Central Europe as cultural notion (for intellectual discussion)-Central European archetypes in interliterary communication-The phenomenon of Central European centrism-"Central Europeanship" as a way to worldwide "reputation"-Conclusion (EN)-Summary (GE)-Bibliography-Index
Table of Contents-Introduction-Central Europe as an issue of comparative literary studies-Central Europe from the point of view of "ingressive" literary history and conception of the so-called cultural saints-Central Europe from an imagological perspective-Minimalist and maximalist conception of Central Europe (Principles of interliterary communication)-Central Europe as cultural notion (for intellectual discussion)-Central European archetypes in interliterary communication-The phenomenon of Central European centrism-"Central Europeanship" as a way to worldwide "reputation"-Conclusion (EN)-Summary (GE)-Bibliography-Index
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