Cluttered Universes brings Kantor's and Beckett's texts, theatres, and theories into conversation with deconstruction, new materialism, environmental humanities, and posthumanism. It reads their artistic universes as "cluttered" with matter, objects, and other nonhuman visitors.
Cluttered Universes brings Kantor's and Beckett's texts, theatres, and theories into conversation with deconstruction, new materialism, environmental humanities, and posthumanism. It reads their artistic universes as "cluttered" with matter, objects, and other nonhuman visitors.
Michä Kisiel is a literary scholar, translator, editor, and assistant professor at Jan Dlugosz University in Czestochowa, Poland. In 2019, he received his PhD in literary studies. He has published in Journal of Beckett Studies, Samuel Beckett Today/Aujourd'hui, ER(R)GO, Zoophilologica , and Review of International American Studies, among other places. He is an editorial team member of ER(R)GO: Theory - Literature - Culture and a member of the Polish Academy of Sciences Commission on Literary History (Katowice Branch). His academic interests include experimental literature, deconstruction, materialist theories of the nonhuman, contemporary poetry, theatre, and drama, and environmental humanities.
Inhaltsangabe
Acknowledgements INTRODUCTION The Fear of Meaning Something Cluttered Universes Bringing Matter Back to Life The Two Ends of the World Putting the Void to Work From Difference to Diffraction Bibliography CHAPTER 1. Diffraction of I: Diffractive Memories and Kantor's Theatre of Death Exit History Dark Crammed Holes Diffraction and Repetition Photographic Apparatuses Diffraction of I Bibliography CHAPTER 2. I Am Not I, Therefore I Am (at Home) The Parrot and the Grave Dusty Archives Elevating the Rags Neither Bibliography CHAPTER 3. Resilient Survivors: Insects, Mannequins, and the Death of the Nonhuman Nonhuman Noises, Excessive Images Heretic Machines Dying Is Never Death The Logic of the Swarm Coda: Insect Technologies Bibliography CHAPTER 4. Elsewhere but Here: Beckett's Exhausted Ecologies and Liminal Intimacies A Tree with Too Many Leaves The Ecopoetics of Exhaustion Thus Flesh and Bone Subsist Intimacy Is Persistence Global Failures Bibliography CONCLUSIONS Index
Acknowledgements INTRODUCTION The Fear of Meaning Something Cluttered Universes Bringing Matter Back to Life The Two Ends of the World Putting the Void to Work From Difference to Diffraction Bibliography CHAPTER 1. Diffraction of I: Diffractive Memories and Kantor's Theatre of Death Exit History Dark Crammed Holes Diffraction and Repetition Photographic Apparatuses Diffraction of I Bibliography CHAPTER 2. I Am Not I, Therefore I Am (at Home) The Parrot and the Grave Dusty Archives Elevating the Rags Neither Bibliography CHAPTER 3. Resilient Survivors: Insects, Mannequins, and the Death of the Nonhuman Nonhuman Noises, Excessive Images Heretic Machines Dying Is Never Death The Logic of the Swarm Coda: Insect Technologies Bibliography CHAPTER 4. Elsewhere but Here: Beckett's Exhausted Ecologies and Liminal Intimacies A Tree with Too Many Leaves The Ecopoetics of Exhaustion Thus Flesh and Bone Subsist Intimacy Is Persistence Global Failures Bibliography CONCLUSIONS Index
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