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An innovative study of contemporary photography in France
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Produktdetails
- Produktdetails
- Lieven Gevaert Series
- Verlag: Leuven University Press
- Seitenzahl: 200
- Erscheinungstermin: 21. Oktober 2022
- Englisch
- Abmessung: 170mm x 230mm x 16mm
- Gewicht: 626g
- ISBN-13: 9789462703445
- ISBN-10: 9462703442
- Artikelnr.: 64261171
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
- Lieven Gevaert Series
- Verlag: Leuven University Press
- Seitenzahl: 200
- Erscheinungstermin: 21. Oktober 2022
- Englisch
- Abmessung: 170mm x 230mm x 16mm
- Gewicht: 626g
- ISBN-13: 9789462703445
- ISBN-10: 9462703442
- Artikelnr.: 64261171
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
Olga Smith is a Marie Sk¿odowska-Curie Fellow at the University of Vienna.
List of Figures List of Plates Acknowledgements Introduction
Chapter 1. 1970s: Engagement and Subjectivity Roland Barthes and the
Science of Subjectivity From The Family of Man to Families in France:
Documentary and Professional Photography Mythologies of the Self:
Photography in Artistic Practices
Chapter 2. 1980s: Objectivity in a Dematerialized World Jean Baudrillard:
The Era of the Object A Quest for Legitimacy as Art Staged Photography and
the Culture of Simulacra "The Form Tableau": Photograph as Object and
Picture
Chapter 3. 1990s-2000s: The Future of The Photographic Image Jacques
Rancière: Photography as Milieu Forms of Resistance and Participation After
Photography
Conclusion: The Landscapes of France
Landscape and the National Imaginary The DATAR Photographic Mission:
Picturing "le territoire des Français" The Anthropogenic Landscape: The
Environmental Perspective A Sense of Belonging: Territory, Borders,
Identity Towards a Non-Nationalist History of Photography
Plates Bibliography Index
Chapter 1. 1970s: Engagement and Subjectivity Roland Barthes and the
Science of Subjectivity From The Family of Man to Families in France:
Documentary and Professional Photography Mythologies of the Self:
Photography in Artistic Practices
Chapter 2. 1980s: Objectivity in a Dematerialized World Jean Baudrillard:
The Era of the Object A Quest for Legitimacy as Art Staged Photography and
the Culture of Simulacra "The Form Tableau": Photograph as Object and
Picture
Chapter 3. 1990s-2000s: The Future of The Photographic Image Jacques
Rancière: Photography as Milieu Forms of Resistance and Participation After
Photography
Conclusion: The Landscapes of France
Landscape and the National Imaginary The DATAR Photographic Mission:
Picturing "le territoire des Français" The Anthropogenic Landscape: The
Environmental Perspective A Sense of Belonging: Territory, Borders,
Identity Towards a Non-Nationalist History of Photography
Plates Bibliography Index
List of Figures List of Plates Acknowledgements Introduction
Chapter 1. 1970s: Engagement and Subjectivity Roland Barthes and the
Science of Subjectivity From The Family of Man to Families in France:
Documentary and Professional Photography Mythologies of the Self:
Photography in Artistic Practices
Chapter 2. 1980s: Objectivity in a Dematerialized World Jean Baudrillard:
The Era of the Object A Quest for Legitimacy as Art Staged Photography and
the Culture of Simulacra "The Form Tableau": Photograph as Object and
Picture
Chapter 3. 1990s-2000s: The Future of The Photographic Image Jacques
Rancière: Photography as Milieu Forms of Resistance and Participation After
Photography
Conclusion: The Landscapes of France
Landscape and the National Imaginary The DATAR Photographic Mission:
Picturing "le territoire des Français" The Anthropogenic Landscape: The
Environmental Perspective A Sense of Belonging: Territory, Borders,
Identity Towards a Non-Nationalist History of Photography
Plates Bibliography Index
Chapter 1. 1970s: Engagement and Subjectivity Roland Barthes and the
Science of Subjectivity From The Family of Man to Families in France:
Documentary and Professional Photography Mythologies of the Self:
Photography in Artistic Practices
Chapter 2. 1980s: Objectivity in a Dematerialized World Jean Baudrillard:
The Era of the Object A Quest for Legitimacy as Art Staged Photography and
the Culture of Simulacra "The Form Tableau": Photograph as Object and
Picture
Chapter 3. 1990s-2000s: The Future of The Photographic Image Jacques
Rancière: Photography as Milieu Forms of Resistance and Participation After
Photography
Conclusion: The Landscapes of France
Landscape and the National Imaginary The DATAR Photographic Mission:
Picturing "le territoire des Français" The Anthropogenic Landscape: The
Environmental Perspective A Sense of Belonging: Territory, Borders,
Identity Towards a Non-Nationalist History of Photography
Plates Bibliography Index