A groundbreaking study providing a full account of the cinematic crises, innovations, and provocations of the era of protest in the late 1960s, as well as the social and aesthetic contexts in which they appeared. A fresh analysis of a contested period in which everything from the avant-garde experiments of Godard and Fassbinder to the "low" cinematic genres of horror and pornography reflected the cultural upheaval of youth in revolt.
A groundbreaking study providing a full account of the cinematic crises, innovations, and provocations of the era of protest in the late 1960s, as well as the social and aesthetic contexts in which they appeared. A fresh analysis of a contested period in which everything from the avant-garde experiments of Godard and Fassbinder to the "low" cinematic genres of horror and pornography reflected the cultural upheaval of youth in revolt.
Benjamin Halligan is the Director of the Doctoral College of the University of Wolverhampton. His publications include Michael Reeves (2003), and the co-edited collections The Music Documentary: Acid Rock to Electropop (2013) and The Arena Concert: Music, Media and Mass Entertainment (2015).
Inhaltsangabe
List of Illustrations Acknowledgments Chapter 1. "All All All" Chapter 2. Prehistory - from Late Neo-Realism to the New Waves Chapter 3. Crises of Post-Bazinian Realism Chapter 4. Film and Revolutionism Conclusion: Seized, Freed, Remade and Deployed Filmography References Index
List of Illustrations Acknowledgments Chapter 1. "All All All" Chapter 2. Prehistory - from Late Neo-Realism to the New Waves Chapter 3. Crises of Post-Bazinian Realism Chapter 4. Film and Revolutionism Conclusion: Seized, Freed, Remade and Deployed Filmography References Index
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