This book focuses on seven celebrity performers working between the mid 1880s and 1910. Maud Allan, Jane Avril, Loà e Fuller, Sylvia Grey, Yvette Guilbert, Letty Lind and Cissie Loftus achieved international fame, whilst simultaneously creating new and innovative performances on the popular stage. -- .
This book focuses on seven celebrity performers working between the mid 1880s and 1910. Maud Allan, Jane Avril, Loà e Fuller, Sylvia Grey, Yvette Guilbert, Letty Lind and Cissie Loftus achieved international fame, whilst simultaneously creating new and innovative performances on the popular stage. -- .
Catherine Hindson is Lecturer in Performance Studies at the University of Bristol
Inhaltsangabe
Introduction The terrain: 1. The theatre of the city: urbanisation, performance and spectatorship in fin-de-siècle London and Paris 2. 'All the noblest arts ... expressed in the measured movements of a perfectly shaped body': embodiment and spectacular performances of gender Spaces: 3. Epidemics of enchanting creatures: Loïe Fuller and the Gaiety Theatre, London 4. Madness, dancing and the dancer: Jane Avril and the Salpêtrière hospital, Paris Image: 5. 'They are wise who advertise, in every generation': image and the female celebrity 6. The art of imitation: staging the cult of celebrity Intersections: 7. Moving away from the muse: Art Nouveau, Naturalist and Symbolist practices on the popular stage 8. Avant-Garde Salomania: 'the most famous dancing girl in history?' Afterword Bibliography
Introduction The terrain: 1. The theatre of the city: urbanisation, performance and spectatorship in fin-de-siècle London and Paris 2. 'All the noblest arts ... expressed in the measured movements of a perfectly shaped body': embodiment and spectacular performances of gender Spaces: 3. Epidemics of enchanting creatures: Loïe Fuller and the Gaiety Theatre, London 4. Madness, dancing and the dancer: Jane Avril and the Salpêtrière hospital, Paris Image: 5. 'They are wise who advertise, in every generation': image and the female celebrity 6. The art of imitation: staging the cult of celebrity Intersections: 7. Moving away from the muse: Art Nouveau, Naturalist and Symbolist practices on the popular stage 8. Avant-Garde Salomania: 'the most famous dancing girl in history?' Afterword Bibliography
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