Foucault on the Arts and Letters
Perspectives for the 21st Century
Herausgeber: Soussloff, Catherine M.
Foucault on the Arts and Letters
Perspectives for the 21st Century
Herausgeber: Soussloff, Catherine M.
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A collection of new essays addressing Foucault's thought and its impact on thinking about the visual arts, literature and aesthetic discourse in the 21st century.
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A collection of new essays addressing Foucault's thought and its impact on thinking about the visual arts, literature and aesthetic discourse in the 21st century.
Produktdetails
- Produktdetails
- Verlag: Rowman & Littlefield Publishers
- Seitenzahl: 248
- Erscheinungstermin: 6. Oktober 2016
- Englisch
- Abmessung: 229mm x 152mm x 15mm
- Gewicht: 408g
- ISBN-13: 9781783485741
- ISBN-10: 1783485744
- Artikelnr.: 43366666
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
- Verlag: Rowman & Littlefield Publishers
- Seitenzahl: 248
- Erscheinungstermin: 6. Oktober 2016
- Englisch
- Abmessung: 229mm x 152mm x 15mm
- Gewicht: 408g
- ISBN-13: 9781783485741
- ISBN-10: 1783485744
- Artikelnr.: 43366666
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
Catherine M. Soussloff is Professor of Art History, Visual Art & Theory and a permanent Associate at the Peter Wall Institute for Advanced Studies at the University of British Columbia, Canada. Her many publications include The Handbook of Visual Culture (2012), The Subject in Art (2006), The Absolute Artist (1997), Jewish Identity in Modern Art History (1999) and Editing the Image (2006).
Introduction: Perspectives on Foucault and the Arts and Letters, Catherine M. Soussloff
Part I: Visual Articulations
1. Unreason and the Ambiguities of Silence, Dana Arnold
2. The Photogenic Invention of Thought-Emotion:: Duane Michals and Michel Foucault, Anton Lee
3. Documents, Monuments and Photographs: Jean-Luc Moulene, Sophie Berrebi
Part II: Bodily Experience in Dance and Music
4. Body Techniques and Techniques of the Self: On Some Uses of Foucault's Concepts in the Choreographic Field, Frédéric Pouillaude
5. Discipline and Pianist: Foucault and the Genealogy of the Etude, Brandon Konoval
Part III: Heroic and Tragic Subjectivities
6. Foucault's Baudelaire, Sima Godfrey
7. Foucault's Beckett, Marisa C. Sanchez
8. The Role of Parresia in King Lear, Arianna Sforzini
Part IV: Aesthetics Transformed
9. Deleuze on Foucault: The Recourse to Painting, Catherine M. Soussloff
10. Critical Travels, Discursive Practices: Foucault in Tunis, Ilka Kressner
11. Remaking the Self in Heterotopia, Andrew Ballantyne
12. The Aesthetics of Bios, Fréderic Gros
Notes on Contributors
Index
Part I: Visual Articulations
1. Unreason and the Ambiguities of Silence, Dana Arnold
2. The Photogenic Invention of Thought-Emotion:: Duane Michals and Michel Foucault, Anton Lee
3. Documents, Monuments and Photographs: Jean-Luc Moulene, Sophie Berrebi
Part II: Bodily Experience in Dance and Music
4. Body Techniques and Techniques of the Self: On Some Uses of Foucault's Concepts in the Choreographic Field, Frédéric Pouillaude
5. Discipline and Pianist: Foucault and the Genealogy of the Etude, Brandon Konoval
Part III: Heroic and Tragic Subjectivities
6. Foucault's Baudelaire, Sima Godfrey
7. Foucault's Beckett, Marisa C. Sanchez
8. The Role of Parresia in King Lear, Arianna Sforzini
Part IV: Aesthetics Transformed
9. Deleuze on Foucault: The Recourse to Painting, Catherine M. Soussloff
10. Critical Travels, Discursive Practices: Foucault in Tunis, Ilka Kressner
11. Remaking the Self in Heterotopia, Andrew Ballantyne
12. The Aesthetics of Bios, Fréderic Gros
Notes on Contributors
Index
Introduction: Perspectives on Foucault and the Arts and Letters, Catherine M. Soussloff
Part I: Visual Articulations
1. Unreason and the Ambiguities of Silence, Dana Arnold
2. The Photogenic Invention of Thought-Emotion:: Duane Michals and Michel Foucault, Anton Lee
3. Documents, Monuments and Photographs: Jean-Luc Moulene, Sophie Berrebi
Part II: Bodily Experience in Dance and Music
4. Body Techniques and Techniques of the Self: On Some Uses of Foucault's Concepts in the Choreographic Field, Frédéric Pouillaude
5. Discipline and Pianist: Foucault and the Genealogy of the Etude, Brandon Konoval
Part III: Heroic and Tragic Subjectivities
6. Foucault's Baudelaire, Sima Godfrey
7. Foucault's Beckett, Marisa C. Sanchez
8. The Role of Parresia in King Lear, Arianna Sforzini
Part IV: Aesthetics Transformed
9. Deleuze on Foucault: The Recourse to Painting, Catherine M. Soussloff
10. Critical Travels, Discursive Practices: Foucault in Tunis, Ilka Kressner
11. Remaking the Self in Heterotopia, Andrew Ballantyne
12. The Aesthetics of Bios, Fréderic Gros
Notes on Contributors
Index
Part I: Visual Articulations
1. Unreason and the Ambiguities of Silence, Dana Arnold
2. The Photogenic Invention of Thought-Emotion:: Duane Michals and Michel Foucault, Anton Lee
3. Documents, Monuments and Photographs: Jean-Luc Moulene, Sophie Berrebi
Part II: Bodily Experience in Dance and Music
4. Body Techniques and Techniques of the Self: On Some Uses of Foucault's Concepts in the Choreographic Field, Frédéric Pouillaude
5. Discipline and Pianist: Foucault and the Genealogy of the Etude, Brandon Konoval
Part III: Heroic and Tragic Subjectivities
6. Foucault's Baudelaire, Sima Godfrey
7. Foucault's Beckett, Marisa C. Sanchez
8. The Role of Parresia in King Lear, Arianna Sforzini
Part IV: Aesthetics Transformed
9. Deleuze on Foucault: The Recourse to Painting, Catherine M. Soussloff
10. Critical Travels, Discursive Practices: Foucault in Tunis, Ilka Kressner
11. Remaking the Self in Heterotopia, Andrew Ballantyne
12. The Aesthetics of Bios, Fréderic Gros
Notes on Contributors
Index