Approaches "literature to film" debates in a new way, focusing upon the historical dimensions of adaptation. Considers historical adaptations as a special kind of reception. Offers rich case studies of historical and transnational film adaptations such as The Third Man (1949) and Sense and Sensibility (1995). Analyzes the transnational influence of Hollywood films on historical memory, Cold War politics, and changing gender roles.
Approaches "literature to film" debates in a new way, focusing upon the historical dimensions of adaptation. Considers historical adaptations as a special kind of reception. Offers rich case studies of historical and transnational film adaptations such as The Third Man (1949) and Sense and Sensibility (1995). Analyzes the transnational influence of Hollywood films on historical memory, Cold War politics, and changing gender roles.
Anne-Marie Scholz holds a teaching affiliation with the University of Bremen, Germany and is currently an Adjunct Professor of American Studies at the University of Konstanz. She is also a freelance language teacher and translator. She has published in The European Journal of American Studies, Film and History, Amerikastudien/American Studies, and German History and has taught at the Universities of Bonn, Hamburg, TA¿bingen, Bremen, and the University of California, Irvine.
Inhaltsangabe
List of Illustrations Acknowledgements Introduction: Adaptation as Reception: How Film Historians Can Contribute to the 'Literature to Film' Debates Part I: Post Cold War Readings of the Receptions of Anglo-American Hollywood Adaptations in Cold War West Germany: 1950-1963 Chapter 1. "Eine Revolution des Films": The Third Man (1949), The Cold War, and Alternatives to Nationalism and 'Coca-colonization' in Europe Chapter 2. The Bridge on the River Kwai (1957) Revisited: Combat Cinema, American Culture and the German Past Chapter 3. "Josef K von 1963": Orson Welles' 'Americanized' Version of the The Trial and the Changing Functions of the 'Kafkaesque' in Cold War West Germany Part II: Postfeminist Relations between 'Classic' Texts and Hollywood Film Adaptations in the United States in the 1990s: Introduction Chapter 4. "Jane-Mania": The Jane Austen Film Boom in the 1990s Chapter 5. Thelma and Sense and Louise and Sensibility: Challenging Dichotomies in Women's History Through Film and Literature Chapter 6. "Jamesian Proportions": The Henry James Film Boom in the 1990s Conclusion: A Case for the 'Case Study': The Future of Adaptation Studies as a Branch of Transnational Film History Appendix I: Mediating Apparent and Latent Content (Tables 1 & 2) Appendix II: Model of Adaptation as a Process of Reception Archival Collections Consulted Filmography Primary Literary Works Selected Bibliography Index
List of Illustrations Acknowledgements Introduction: Adaptation as Reception: How Film Historians Can Contribute to the 'Literature to Film' Debates Part I: Post Cold War Readings of the Receptions of Anglo-American Hollywood Adaptations in Cold War West Germany: 1950-1963 Chapter 1. "Eine Revolution des Films": The Third Man (1949), The Cold War, and Alternatives to Nationalism and 'Coca-colonization' in Europe Chapter 2. The Bridge on the River Kwai (1957) Revisited: Combat Cinema, American Culture and the German Past Chapter 3. "Josef K von 1963": Orson Welles' 'Americanized' Version of the The Trial and the Changing Functions of the 'Kafkaesque' in Cold War West Germany Part II: Postfeminist Relations between 'Classic' Texts and Hollywood Film Adaptations in the United States in the 1990s: Introduction Chapter 4. "Jane-Mania": The Jane Austen Film Boom in the 1990s Chapter 5. Thelma and Sense and Louise and Sensibility: Challenging Dichotomies in Women's History Through Film and Literature Chapter 6. "Jamesian Proportions": The Henry James Film Boom in the 1990s Conclusion: A Case for the 'Case Study': The Future of Adaptation Studies as a Branch of Transnational Film History Appendix I: Mediating Apparent and Latent Content (Tables 1 & 2) Appendix II: Model of Adaptation as a Process of Reception Archival Collections Consulted Filmography Primary Literary Works Selected Bibliography Index
Es gelten unsere Allgemeinen Geschäftsbedingungen: www.buecher.de/agb
Impressum
www.buecher.de ist ein Internetauftritt der buecher.de internetstores GmbH
Geschäftsführung: Monica Sawhney | Roland Kölbl | Günter Hilger
Sitz der Gesellschaft: Batheyer Straße 115 - 117, 58099 Hagen
Postanschrift: Bürgermeister-Wegele-Str. 12, 86167 Augsburg
Amtsgericht Hagen HRB 13257
Steuernummer: 321/5800/1497
USt-IdNr: DE450055826
