First published over seventy years ago, this imaginative series of studies is as useful and relevant now as it ever has been. Each volume has studies composed by well known and lesser known composers and is carefully graded to offer a variety of keys, time signatures, textures and tempi, whilst each study is given a title which tells the student exactly what it is trying to achieve. These books provide invaluable practice material for the building of technique and are also enjoyable to play in their own right.
First published over seventy years ago, this imaginative series of studies is as useful and relevant now as it ever has been. Each volume has studies composed by well known and lesser known composers and is carefully graded to offer a variety of keys, time signatures, textures and tempi, whilst each study is given a title which tells the student exactly what it is trying to achieve. These books provide invaluable practice material for the building of technique and are also enjoyable to play in their own right.
Study in C, Op. 137 No. 2 (i) [Henri Bertini] Study in C, Op. 137 No. 11 [Henri Bertini] Study in Eb, Op. 137 No. 21 [Henri Bertini] Study in A minor, Op. 101 No. 60 (Andante) [Ferdinand Beyer] Study in C, Op. 101 No. 16 [Ferdinand Beyer] Study in C, Op. 101 No. 25 [Ferdinand Beyer] Study in C, Op. 101 No. 29 [Ferdinand Beyer] Study in C, Op. 101 No. 53 [Ferdinand Beyer] Study in D, Op. 101 No. 75 [Ferdinand Beyer] Study in G, Op. 101 No. 37 [Ferdinand Beyer] Study in G, Op. 101 No. 39 [Ferdinand Beyer] Study in G, Op. 101 No. 57 [Ferdinand Beyer] Study in G, Op. 101 No. 68 [Ferdinand Beyer] Study in G, Op. 101 No. 69 [Ferdinand Beyer] Study in G, Op. 599 No. 3 [Carl Czerny] Study in A minor, Op. 187 No. 30 [Cornelius Gurlitt] Study in C, Op. 82 No. 9 [Cornelius Gurlitt] Study in C, Op. 82 No. 12 [Cornelius Gurlitt] Study in C, Op. 82 No. 17 [Cornelius Gurlitt] Study in C, Op. 82 No. 25 (i) [Cornelius Gurlitt] Study in C, Op. 82 No. 25 (ii) [Cornelius Gurlitt] Study in C, Op. 82 No. 25 (iii) [Cornelius Gurlitt] Study in C, Op. 82 No. 29 [Cornelius Gurlitt] Study in C, Op. 82 No. 30 [Cornelius Gurlitt] Study in C, Op. 187 No. 9 [Cornelius Gurlitt] Study in C, Op. 187 No. 18 [Cornelius Gurlitt] Study in C, Op. 187 No. 19 [Cornelius Gurlitt] Study in C, Op. 187 No. 22 [Cornelius Gurlitt] Study in C, Op. 187 No. 37 [Cornelius Gurlitt] Study in D, Op. 187 No. 50 [Cornelius Gurlitt] Study in F, Op. 82 No. 56 [Cornelius Gurlitt] Study in G, Op. 82 No. 34 [Cornelius Gurlitt] Study in G, Op. 82 No. 44 [Cornelius Gurlitt] Study in G, Op. 187 No. 31 [Cornelius Gurlitt] Study in G, Op. 187 No. 32 [Cornelius Gurlitt] Study in A minor, Op. 190 No. 34 [Louis Köhler] Study in C, Op. 218 No. 16 [Louis Köhler] Study in C, Op. 300 No. 22 [Louis Köhler] Study in C, Op. 300 No. 40 [Louis Köhler] Study in C, Op. 300 No. 50 [Louis Köhler] Study in G, Op. 218 No. 18 [Louis Köhler / Philip Sparke] Study in C (Moderato) [Felix le Couppey] Study for the whole-tone scale (Lento) [Hedwig McEwen] Study in C (Allegretto) for the half-tone scale [Hedwig McEwen] Study in C (Moderato) for ease in turning the fore-arm [Hedwig McEwen] Study in C (Moderato) for silent beats [Hedwig McEwen] Study in C (Vivace) for rapid rebound of the keys [Hedwig McEwen] Study in C (Vivace) for trills [Hedwig McEwen] Study in E minor(Andante) for tempo variations [Hedwig McEwen] Study in A minor, from Op. 36 (Andantino) [Franz Wohlfahrt] Study in A minor, Op. 36 No. 26 (Andante) [Franz Wohlfahrt] Study in C, Op. 36 No. 5 [Franz Wohlfahrt] Study in C, Op. 36 No. 6 [Franz Wohlfahrt] Study in C, Op. 36 No. 17 [Franz Wohlfahrt] Study in C, Op. 36 No. 18 [Franz Wohlfahrt] Study in C, Op. 36 No. 21 [Franz Wohlfahrt] Study in E minor, from Op. 36 (Andante) [Franz Wohlfahrt] Study in G minor, from Op. 36 (Lento) [Franz Wohlfahrt] Study in C, Op. 88 No. 4 [Heinrich Wohlfahrt] Study in C, Op. 88 No. 6 [Heinrich Wohlfahrt]
Study in C, Op. 137 No. 2 (i) [Henri Bertini] Study in C, Op. 137 No. 11 [Henri Bertini] Study in Eb, Op. 137 No. 21 [Henri Bertini] Study in A minor, Op. 101 No. 60 (Andante) [Ferdinand Beyer] Study in C, Op. 101 No. 16 [Ferdinand Beyer] Study in C, Op. 101 No. 25 [Ferdinand Beyer] Study in C, Op. 101 No. 29 [Ferdinand Beyer] Study in C, Op. 101 No. 53 [Ferdinand Beyer] Study in D, Op. 101 No. 75 [Ferdinand Beyer] Study in G, Op. 101 No. 37 [Ferdinand Beyer] Study in G, Op. 101 No. 39 [Ferdinand Beyer] Study in G, Op. 101 No. 57 [Ferdinand Beyer] Study in G, Op. 101 No. 68 [Ferdinand Beyer] Study in G, Op. 101 No. 69 [Ferdinand Beyer] Study in G, Op. 599 No. 3 [Carl Czerny] Study in A minor, Op. 187 No. 30 [Cornelius Gurlitt] Study in C, Op. 82 No. 9 [Cornelius Gurlitt] Study in C, Op. 82 No. 12 [Cornelius Gurlitt] Study in C, Op. 82 No. 17 [Cornelius Gurlitt] Study in C, Op. 82 No. 25 (i) [Cornelius Gurlitt] Study in C, Op. 82 No. 25 (ii) [Cornelius Gurlitt] Study in C, Op. 82 No. 25 (iii) [Cornelius Gurlitt] Study in C, Op. 82 No. 29 [Cornelius Gurlitt] Study in C, Op. 82 No. 30 [Cornelius Gurlitt] Study in C, Op. 187 No. 9 [Cornelius Gurlitt] Study in C, Op. 187 No. 18 [Cornelius Gurlitt] Study in C, Op. 187 No. 19 [Cornelius Gurlitt] Study in C, Op. 187 No. 22 [Cornelius Gurlitt] Study in C, Op. 187 No. 37 [Cornelius Gurlitt] Study in D, Op. 187 No. 50 [Cornelius Gurlitt] Study in F, Op. 82 No. 56 [Cornelius Gurlitt] Study in G, Op. 82 No. 34 [Cornelius Gurlitt] Study in G, Op. 82 No. 44 [Cornelius Gurlitt] Study in G, Op. 187 No. 31 [Cornelius Gurlitt] Study in G, Op. 187 No. 32 [Cornelius Gurlitt] Study in A minor, Op. 190 No. 34 [Louis Köhler] Study in C, Op. 218 No. 16 [Louis Köhler] Study in C, Op. 300 No. 22 [Louis Köhler] Study in C, Op. 300 No. 40 [Louis Köhler] Study in C, Op. 300 No. 50 [Louis Köhler] Study in G, Op. 218 No. 18 [Louis Köhler / Philip Sparke] Study in C (Moderato) [Felix le Couppey] Study for the whole-tone scale (Lento) [Hedwig McEwen] Study in C (Allegretto) for the half-tone scale [Hedwig McEwen] Study in C (Moderato) for ease in turning the fore-arm [Hedwig McEwen] Study in C (Moderato) for silent beats [Hedwig McEwen] Study in C (Vivace) for rapid rebound of the keys [Hedwig McEwen] Study in C (Vivace) for trills [Hedwig McEwen] Study in E minor(Andante) for tempo variations [Hedwig McEwen] Study in A minor, from Op. 36 (Andantino) [Franz Wohlfahrt] Study in A minor, Op. 36 No. 26 (Andante) [Franz Wohlfahrt] Study in C, Op. 36 No. 5 [Franz Wohlfahrt] Study in C, Op. 36 No. 6 [Franz Wohlfahrt] Study in C, Op. 36 No. 17 [Franz Wohlfahrt] Study in C, Op. 36 No. 18 [Franz Wohlfahrt] Study in C, Op. 36 No. 21 [Franz Wohlfahrt] Study in E minor, from Op. 36 (Andante) [Franz Wohlfahrt] Study in G minor, from Op. 36 (Lento) [Franz Wohlfahrt] Study in C, Op. 88 No. 4 [Heinrich Wohlfahrt] Study in C, Op. 88 No. 6 [Heinrich Wohlfahrt]
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