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This close analysis of Alfonso Cuarón's Harry Potter and the Prisoner of Azkaban examines how collaborative authorship produced a thematically layered blockbuster film with a distinctively cinematic point of view.

Produktbeschreibung
This close analysis of Alfonso Cuarón's Harry Potter and the Prisoner of Azkaban examines how collaborative authorship produced a thematically layered blockbuster film with a distinctively cinematic point of view.
Autorenporträt
Patrick Keating is a professor of communication at Trinity University in San Antonio, where he teaches courses in film and media studies. He is the author of Hollywood Lighting from the Silent Era to Film Noir and The Dynamic Frame: Camera Movement in Classical Hollywood and the editor of the essay collection Cinematography.