Molly-Claire Gillet is a Postdoctoral Fellow co-located at the University of Galway, Ireland and Trent University, Canada. She works at the intersection of making, place and pedagogy, researching craft in Irish and Canadian rural women's organizations.
Inhaltsangabe
List of Figures Acknowledgements List of Abbreviations Introduction 1. Lacemaking and Design Education in Ireland to 1883 2. Lace on Display: The Mansion House and Cork Exhibitions of 1883 3. 'A Renascence of the Irish art of Lace-Making': The Growth of Lace and Design Education 4. Co-operation and Community: The IAOS Home Industries Societies 5. The Lace Inspectress: Emily Anderson at the Department of Agriculture and Technical 6. Three Bonnets: Lacemaking as a Twenty- and Twenty-First-Century Cultural Practice Conclusion Notes Bibliography Index
List of Figures Acknowledgements List of Abbreviations Introduction 1. Lacemaking and Design Education in Ireland to 1883 2. Lace on Display: The Mansion House and Cork Exhibitions of 1883 3. 'A Renascence of the Irish art of Lace-Making': The Growth of Lace and Design Education 4. Co-operation and Community: The IAOS Home Industries Societies 5. The Lace Inspectress: Emily Anderson at the Department of Agriculture and Technical 6. Three Bonnets: Lacemaking as a Twenty- and Twenty-First-Century Cultural Practice Conclusion Notes Bibliography Index
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