Either/Or is Kierkegaard's first major work and arguably his most virtuosic. This Critical Guide strikes new ground in our understanding of both the work and Kierkegaard's authorship as a whole, with substantial discussions of issues in aesthetics, epistemology, ethics, metaphysics, phenomenology, and philosophy of religion.
Either/Or is Kierkegaard's first major work and arguably his most virtuosic. This Critical Guide strikes new ground in our understanding of both the work and Kierkegaard's authorship as a whole, with substantial discussions of issues in aesthetics, epistemology, ethics, metaphysics, phenomenology, and philosophy of religion.
Introduction Ryan S. Kemp and Walter Wietzke 1. Existential melancholia: the affective psychology of the 'Diapsalmata' in Either/Or Rick Anthony Furtak and Ruth Rebecca Tietjen 2. Don Giovanni and the musical-erotic Fred Rush 3. For what may the aesthete hope? Focus and standstill in 'the unhappiest one' and 'rotation of crops' Elizabeth Li and Andrew Chignell 4. Companions in guilt: aestheticism and cartesianism as two sides of the same coin Genia Schönbaumsfeld 5. A's religion of boredom Antón Barba-Kay 6. The artist is not present: metaphysical performance in the diary of the seducer Noreen Khawaja 7. Failed temporalities in Patrick Stokes 8. Love, marriage and delusion in Either/Or Walter Wietzke 9. The philosophy of science in Either/Or Hans Halvorson 10. The despair of judge William Sharon Krishek 11. The problem of evil in Either/Or: a religious-aesthetic debate Ulrika Carlsson 12. Illusions of ethical independence: the last word in Either/Or Daniel Watts Bibliography Index.
Introduction Ryan S. Kemp and Walter Wietzke 1. Existential melancholia: the affective psychology of the 'Diapsalmata' in Either/Or Rick Anthony Furtak and Ruth Rebecca Tietjen 2. Don Giovanni and the musical-erotic Fred Rush 3. For what may the aesthete hope? Focus and standstill in 'the unhappiest one' and 'rotation of crops' Elizabeth Li and Andrew Chignell 4. Companions in guilt: aestheticism and cartesianism as two sides of the same coin Genia Schönbaumsfeld 5. A's religion of boredom Antón Barba-Kay 6. The artist is not present: metaphysical performance in the diary of the seducer Noreen Khawaja 7. Failed temporalities in Patrick Stokes 8. Love, marriage and delusion in Either/Or Walter Wietzke 9. The philosophy of science in Either/Or Hans Halvorson 10. The despair of judge William Sharon Krishek 11. The problem of evil in Either/Or: a religious-aesthetic debate Ulrika Carlsson 12. Illusions of ethical independence: the last word in Either/Or Daniel Watts Bibliography Index.
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