This is a reproduction of a book published before 1923. This book may have occasional imperfections
such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact,
or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections,
have elected to bring it back into print as part of our continuing commitment to the preservation of printed works
worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.
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The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification:
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Kritik Des Herzens
10
Wilhelm Busch
F. Bassermann, 1807
such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact,
or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections,
have elected to bring it back into print as part of our continuing commitment to the preservation of printed works
worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.
++++
The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification:
++++
Kritik Des Herzens
10
Wilhelm Busch
F. Bassermann, 1807
Wilhelm Busch, 15. 04. 1832 Wiedensahl bei Hannover - 9.01.1908 Mechtshausen bei Seesen. Er brach das 1847 in Hannover begonnene Maschinenbaustudium 1851 ab und schrieb sich stattdessen an der Düsseldorfer Kunstakademie ein. 1852 - 53 setzte er das Studium in Antwerpen fort, 1854 wechselte er nach München. Hier blieb er bis 1868; 1869 bis 1872 wohnte er in Frankfurt a. M., danach in Wiedensahl, bis er 1898 zu seinem Neffen nach Mechtshausen zog. Er konnte sich als Maler nicht durchsetzen, aber als Zeichner und Karikaturist. Mit "Max und Moritz' (1865) begann die Zeit der Bildergeschichten. Wilhelm Busch machte sich auch als Lyriker einen Namen.
Foto: Edgar Hanfstängl, München 1878