12,99 €
inkl. MwSt.
Versandkostenfrei*
Versandfertig in über 4 Wochen
payback
6 °P sammeln
  • Broschiertes Buch

Selected from his three collections and various pamphlet publications, Larksong Static offers a first synopsis of Martin Malone's work so far. From his resounding alliances of memory and geography in The Waiting Hillside, through the complicated emotional landscape and fine-art sensibilities of Cur, to the brilliantly achieved cultural memory work of his Great War sequence, The Unreturning, this selection captures a poet staking serious claim for his significance to the contemporary scene. "Malone is a Romantic at heart, feeling the landscape, living the language, catching the drift." SIMON…mehr

Produktbeschreibung
Selected from his three collections and various pamphlet publications, Larksong Static offers a first synopsis of Martin Malone's work so far. From his resounding alliances of memory and geography in The Waiting Hillside, through the complicated emotional landscape and fine-art sensibilities of Cur, to the brilliantly achieved cultural memory work of his Great War sequence, The Unreturning, this selection captures a poet staking serious claim for his significance to the contemporary scene. "Malone is a Romantic at heart, feeling the landscape, living the language, catching the drift." SIMON ARMITAGE Any attempt to forge a new nature poetry in the English lyric tradition is a bold undertaking, but Malone's sensibility and assurance make this possible. His voice is distinctive, his eye clear and sure, and his ability to change pace and direction in a poem makes his work elegant and surprising." MICHAEL SYMMONS ROBERTS
Autorenporträt
Martin Malone lives in north-east Scotland. He has published three poetry collections: The Waiting Hillside (Templar, 2011), Cur (Shoestring, 2015), The Unreturning (Shoestring, 2019) and four chapbooks: 17 Landscapes (Bluegate Books), Prodigals (The Black Light Engine Room), Mr. Willett's Summertime (Poetry Salzburg) and Shetland Lyrics (Hedgehog Poetry). He is an Associate Teaching Fellow in Creative Writing at Aberdeen University. For five years between 2013 and 2017, he was editor of The Interpreter's House journal.