This book looks at the largely neglected colour films of French film director Robert Bresson (1901-99) that can teach us about cinema's distinctive ability to draw on painting, photography, sculpture, and the plastic arts in general.
This book looks at the largely neglected colour films of French film director Robert Bresson (1901-99) that can teach us about cinema's distinctive ability to draw on painting, photography, sculpture, and the plastic arts in general.
Raymond Watkins currently teaches at the Pennsylvania State University. He received his Ph.D. in comparative literature and cinema from The University of Iowa, and has published in Cinema Journal, Studies in French Cinema, and The Quarterly Review of Film and Video.
Inhaltsangabe
Introduction Bresson in Color: Reinventing History through Avant-Garde Experiment Part 1: Classical and Post-War Painting Chapter 1 Bresson's Debt to Painting: Iconography Lighting Color and Framing Practices Chapter 2 The Turn to Post-War Abstraction: Action Painting L'Art Informel and Le Nouveau Réalisme Part 2: Avant-Garde Experiment Chapter 3 Bresson's Flirtation with Surrealism: Sexual Desire Masochism and Abjection Chapter 4 The Design and Pattern of the Whole: Constructivist Painting and Theatre Chapter 5 Between Constructivism and Minimalism: Bresson's Ambivalence Toward the Modern Bibliography Index
Introduction Bresson in Color: Reinventing History through Avant-Garde Experiment Part 1: Classical and Post-War Painting Chapter 1 Bresson's Debt to Painting: Iconography Lighting Color and Framing Practices Chapter 2 The Turn to Post-War Abstraction: Action Painting L'Art Informel and Le Nouveau Réalisme Part 2: Avant-Garde Experiment Chapter 3 Bresson's Flirtation with Surrealism: Sexual Desire Masochism and Abjection Chapter 4 The Design and Pattern of the Whole: Constructivist Painting and Theatre Chapter 5 Between Constructivism and Minimalism: Bresson's Ambivalence Toward the Modern Bibliography Index
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