A time-traveling fixer chasing an unpublished feminist classic, a servant girl transformed by a mysterious book, and a killer in Gilded Age New York…All bound by one impossible thread. When Aubrey Street arrives in 1891 looking for a feminist masterpiece that won’t be published for almost 100 years, she worries that 1981 might be rejecting her. Aubrey is a Liquidator—her job is to fix glitches in time. She just wishes she could fix the glitches in her life. In another part of Gilded Age New York, John Hawksmore plans to kill a servant girl whose life has been turned upside down by the book she…mehr
A time-traveling fixer chasing an unpublished feminist classic, a servant girl transformed by a mysterious book, and a killer in Gilded Age New York…All bound by one impossible thread. When Aubrey Street arrives in 1891 looking for a feminist masterpiece that won’t be published for almost 100 years, she worries that 1981 might be rejecting her. Aubrey is a Liquidator—her job is to fix glitches in time. She just wishes she could fix the glitches in her life. In another part of Gilded Age New York, John Hawksmore plans to kill a servant girl whose life has been turned upside down by the book she found in her employer’s library. Somehow, all their lives are connected. They just don’t know it yet…
One-time Entertainment Weekly’s "Man of the Year," Peter Milligan was at the forefront of the revolution in comics which were created for a more sophisticated, adult audience. Shade the Changing Man for Vertigo offered a skewered look at American culture, while Enigma, Face and Rogan Gosh pushed the boundaries of what comic books could do. The hugely-popular X-Statix was a radical reworking of the X-Man paradigm, described by Kevin Smith (CLERKS) as "the most well-observed scholarly analysis of media-manipulation filtered through a pop-culture lens ever committed to the page." Milligan is currently working on other film, comic and non-comic book projects.
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