Introduction Jess Cotton 1. Reading and Reality Josie Billington 2. Instruments of Imagined Power: New York's Living Newspaper Unit and the Theatre of Welfare Matthew Holman 3. Affective Publishing Histories: Virago, the Women's Movement and the Welfare State, 1975 1990 Helen Charman 4. Consent or Dissent? Poetry and the British Welfare State Gareth Farmer 5. How To Be a Marxist Thief: How Raymond Williams Read T. S. Eliot Beci Carver 6. The Ethics of Attention in Christine Brooke Rose's Out Sarah Bernstein 7. Dreaming of Welfare: Doris Lessing, the Good Neighbour and the Sociological Imagination Jess Cotton 8. Welfare Fictions and the Brixton Uprising: Beryl Gilroy's Black Teacher and Caryl Phillips's The Final Passage Lara Choksey 9. The Disciplines of English and the Ideals of Welfare in Ireland in the 1980s Neil Vickers Index
Introduction Jess Cotton 1. Reading and Reality Josie Billington 2. Instruments of Imagined Power: New York's Living Newspaper Unit and the Theatre of Welfare Matthew Holman 3. Affective Publishing Histories: Virago, the Women's Movement and the Welfare State, 1975 1990 Helen Charman 4. Consent or Dissent? Poetry and the British Welfare State Gareth Farmer 5. How To Be a Marxist Thief: How Raymond Williams Read T. S. Eliot Beci Carver 6. The Ethics of Attention in Christine Brooke Rose's Out Sarah Bernstein 7. Dreaming of Welfare: Doris Lessing, the Good Neighbour and the Sociological Imagination Jess Cotton 8. Welfare Fictions and the Brixton Uprising: Beryl Gilroy's Black Teacher and Caryl Phillips's The Final Passage Lara Choksey 9. The Disciplines of English and the Ideals of Welfare in Ireland in the 1980s Neil Vickers Index
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