Michelangelo Antonioni: Ambiguity in the Modernist Cinema - Tomasulo, Frank P.
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Most of the scholarly literature on the cinema of Michelangelo Antonioni focuses on the director's distinctive film style. Many studies mention his relationship to various modern art movements and the thematic ambiguity of his work, but few position Antonioni's later films in their modernist context and within the contemporary phenomenon of ambiguity. This study attempts to situate Antonioni within the larger, contextualizing discourse of modernism and its "problematics of language".

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Produktbeschreibung
Most of the scholarly literature on the cinema of Michelangelo Antonioni focuses on the director's distinctive film style. Many studies mention his relationship to various modern art movements and the thematic ambiguity of his work, but few position Antonioni's later films in their modernist context and within the contemporary phenomenon of ambiguity. This study attempts to situate Antonioni within the larger, contextualizing discourse of modernism and its "problematics of language".
Autorenporträt
Frank P. Tomasulo has taught cinema courses at several U.S. colleges, and chaired film/TV programs at Georgia State, Southern Methodist, and Florida State universities. He has published over 100 scholarly essays and 180 academic papers and co-edited a volume on screen acting. He is best-known as Editor of Journal of Film & Video and Cinema Journal.