This collection of nine essays by scholars in the fields of postcolonial, Asian American, and other literary studies explains why categorizing the best-selling, award-winning work of Jhumpa Lahiri as either universally "great" and/or ethnically specific matters, to whom, and how paying attention to these questions can deepen students', general readers', and academic scholars' appreciation for the politics surrounding Lahiri's works and understanding of the literary texts themselves.
This collection of nine essays by scholars in the fields of postcolonial, Asian American, and other literary studies explains why categorizing the best-selling, award-winning work of Jhumpa Lahiri as either universally "great" and/or ethnically specific matters, to whom, and how paying attention to these questions can deepen students', general readers', and academic scholars' appreciation for the politics surrounding Lahiri's works and understanding of the literary texts themselves.
Editors: >Floyd Cheung is Associate Professor of English and of American Studies at Smith College. He is also a member of the Five College Asian/Pacific/American Studies Certificate Program, for which he served as the founding chair. Interested in the recovery of early Asian American texts, he has edited H. T. Tsiang's novels And China Has Hands (Ironweed Press, 2003) and The Hanging on Union Square (Kaya Press, 2012) and co-edited Kathleen Tamagawa's memoir, Holy Prayers in a Horse's Ear (Rutgers University Press, 2008). He is the contributing co-editor of Recovered Legacies: Authority and Identity in Early Asian American Literature (Temple University Press, 2005). His essays on Asian American literature have appeared in various edited collections as well as journals including a/b: Auto/Biography Studies, New Centennial Review, TDR, and Studies in Travel Writing. Contributors: Karen M. Cardozo, Reshmi Dutt-Ballerstadt, Ambreen Hai, Bakirathi Mani, Susan Muchshima Moynihan, Rani Neutill, Rajini Srikanth
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