First published in 2001, this book focuses on the use of the story of Pygmalion and Galatea in nineteenth-century British literature, exploring gender issues, the nature of artistic creativity and the morality of Greek art.
First published in 2001, this book focuses on the use of the story of Pygmalion and Galatea in nineteenth-century British literature, exploring gender issues, the nature of artistic creativity and the morality of Greek art.
Essaka Joshua is a Lecturer in the Department of English, School of Humanities, University of Birmingham, UK.
Inhaltsangabe
Introduction Beginnings to the nineteenth century 'Don't look at J.J. Rousseau': Pygmalion and the Romantics Adam's dream: Post-Romantic renarrations The Pre-Raphaelite Pygmalion and mid-victorian hellenism Nineteenth-Century Pygmalion plays: the context of Shaw's Pygmalion The twentieth century: towards a conclusion Appendix 1 The Pygmalion story in dictionaries and handbooks of classical literature Appendix 2 Bibliography of Pygmalion references.
Introduction Beginnings to the nineteenth century 'Don't look at J.J. Rousseau': Pygmalion and the Romantics Adam's dream: Post-Romantic renarrations The Pre-Raphaelite Pygmalion and mid-victorian hellenism Nineteenth-Century Pygmalion plays: the context of Shaw's Pygmalion The twentieth century: towards a conclusion Appendix 1 The Pygmalion story in dictionaries and handbooks of classical literature Appendix 2 Bibliography of Pygmalion references.
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