Rock for Change
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Erscheint vorauss. 11. Juni 2026
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This book explores the role that benefit concerts, tours, and recordings have and have had in mobilizing popular music and musicians to raise money or awareness to combat social problems, both human and natural. Fund raising rock concerts have been a major feature of the music scene since the first recognized event, the Concert for Bangladesh, was organized by George Harrison and Ravi Shankar in 1971. Since then, they have come in many guises, from small-scale local affairs to mega international extravaganzas with the causes they support including national and international disaster relief as…mehr

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Produktbeschreibung
This book explores the role that benefit concerts, tours, and recordings have and have had in mobilizing popular music and musicians to raise money or awareness to combat social problems, both human and natural. Fund raising rock concerts have been a major feature of the music scene since the first recognized event, the Concert for Bangladesh, was organized by George Harrison and Ravi Shankar in 1971. Since then, they have come in many guises, from small-scale local affairs to mega international extravaganzas with the causes they support including national and international disaster relief as well as more political objectives. Rock for Change: Interdisciplinary Perspectives on the Benefit Concert looks at all these over thirteen wide-ranging chapters. Major events including the Concert for Bangladesh, Live Aid and the Concert for New York are covered. National examples include Scottish concerts for overseas aid, Neil and Pegi Young's Bridge School benefits in California, mining disasters in Canada and three New Zealand concerts each portraying a different aspect of the meaning of nationality in that country. Political causes include Rock Against Racism and Red Wedge in the UK and punk events in Washington DC. Finally, there are chapters on the film of the Wattstax Festival and a newer form of event solely for young volunteers, RockCorps.
Autorenporträt
Peter Grant is Senior Lecturer in the Centre for Charity Effectiveness at Bayes Business School, City St George's, University of London, UK. He is a former trustee of the Amy Winehouse Foundation and is now a director of the Foundation's trading company. His previous books include Philanthropy and Voluntary Action in the First World War (2014) and National Myth and the First World War in Modern Popular Music (2016). Nick Baxter-Moore is Associate Professor in the Department of Communication, Popular Culture and Film, Brock University, Canada. He was co-editor of The Routledge Companion to Popular Music and Humor (2019).