The book explores interconnections of the sacred and the secular in music of the long nineteenth century. It investigates manifestations of religion in music not primarily intended for liturgical performance and assesses compositions that originated in a liturgical context but then migrated in their performance into a non-liturgical sphere.
The book explores interconnections of the sacred and the secular in music of the long nineteenth century. It investigates manifestations of religion in music not primarily intended for liturgical performance and assesses compositions that originated in a liturgical context but then migrated in their performance into a non-liturgical sphere.
Eftychia Papanikolaou is associate professor of musicology at the College of Musical Arts at Bowling Green State University. Markus Rathey is the Robert S. Tangeman Professor of Music History at Yale University and author of Theology, Music, and Modernity: Struggles for Freedom.
Inhaltsangabe
Contents Introduction Eftychia Papanikolaou and Markus Rathey Religion, Music, and the Romantic Imagination Chapter 1. Music for the "Cultured Despisers" of Religion: Schleiermacher on Singing in Church and Beyond Joyce L. Irwin Chapter 2. The Cross and the Wanderer: From the Sacred to the Secular in the Early Nineteenth Century Joseph E. Morgan Chapter 3. The Sacred Looking Glass: Imaginative Children's Music as Syncretic Nexus Matthew Roy Sacred and Secular Drama on the Stage Chapter 4. Reassessing Robert Schumann's Motivations for Composing a Mass and Requiem Sonja Wermager Chapter 5. Spirituality and the Fugal Topos in the Secular Dramatic Works of Robert Schumann Christopher Ruth Chapter 6. Hieratic Iconoclasm: Liszt, Hanslick, and the Graner Festmesse Eftychia Papanikolaou Chapter 7. Sacred Moments in the Secular Dramatic Works of Arthur Sullivan Matthew Hoch Counterpoint and Chorale in Instrumental Music Chapter 8. Redeeming Chamber Music: Experiencing Solace in Mendelssoh
Contents Introduction Eftychia Papanikolaou and Markus Rathey Religion, Music, and the Romantic Imagination Chapter 1. Music for the "Cultured Despisers" of Religion: Schleiermacher on Singing in Church and Beyond Joyce L. Irwin Chapter 2. The Cross and the Wanderer: From the Sacred to the Secular in the Early Nineteenth Century Joseph E. Morgan Chapter 3. The Sacred Looking Glass: Imaginative Children's Music as Syncretic Nexus Matthew Roy Sacred and Secular Drama on the Stage Chapter 4. Reassessing Robert Schumann's Motivations for Composing a Mass and Requiem Sonja Wermager Chapter 5. Spirituality and the Fugal Topos in the Secular Dramatic Works of Robert Schumann Christopher Ruth Chapter 6. Hieratic Iconoclasm: Liszt, Hanslick, and the Graner Festmesse Eftychia Papanikolaou Chapter 7. Sacred Moments in the Secular Dramatic Works of Arthur Sullivan Matthew Hoch Counterpoint and Chorale in Instrumental Music Chapter 8. Redeeming Chamber Music: Experiencing Solace in Mendelssoh
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