"This is the first collection of original essays, articles, and images from authors, activists, artists, and scholars that grapple with the explicit body and the staging of sex across multiple spaces - from burlesque to drag, to sex work to celebrity culture. This book uncovers how gender and sexuality collide on stage in dynamic, dramatic, and thought-provoking ways. By taking a broad view of sex and the stage, it tracks influences across the underground, marginalised, and the mainstream, from 'high' contemporary live art to the 'low' of entertainment. Includes interviews, memoir, photo…mehr
"This is the first collection of original essays, articles, and images from authors, activists, artists, and scholars that grapple with the explicit body and the staging of sex across multiple spaces - from burlesque to drag, to sex work to celebrity culture. This book uncovers how gender and sexuality collide on stage in dynamic, dramatic, and thought-provoking ways. By taking a broad view of sex and the stage, it tracks influences across the underground, marginalised, and the mainstream, from 'high' contemporary live art to the 'low' of entertainment. Includes interviews, memoir, photo essays, performance scripts, roundtable discussions, flash nonfiction, and the traditional essay"--
Alison J. Carr is an artist, mentor, and scholar. She works visually and creates performances, examining bodies on display and the contexts they perform in. She is the author of Viewing Pleasure and Being A Showgirl: How Do I Look? (2018), and of the novella The Night (2023). Lynn Sally is a scholar and performing artist. She is the author of Neo-Burlesque: Striptease as Transformation (2022). She produces and performs as Dr. Lucky.
Inhaltsangabe
Acknowledgements Setting the Stage: An Introduction ACT I: ESSAYS Chapter 1: "Pole Dancing Academic: Decompartmentalising the Personal, Sexual and Professional while Blending Pole Dance and Research Careers" by Carolina Are Chapter 2: "Consuming Asiatic Femininity through Foodlesque-Exploring East-Asian Exoticism through Calamity Chang's Model Mi-Nori-ty Roll" by Julia Matias Chapter 3: "Selling Out: Art, Stripping, and Sexual Desire on the Public Stage" by Marissa Vigneault Chapter 4: "'The Audience is My Source of Hate': Xandra Ibarra and Fucking Whiteness" by Erin Rachel Kaplan Chapter 5: "The Inheritance: Queer Sex in the Theatre of HIV/AIDS" by Ash Hudson-Myers Chapter 6: "The Only Way Out is Through VIP: Discovering Genderqueer Identities through High Femme Strip Club Performances" by Ella-Gabriel Mason Chapter 7: The Tar Baby Principle Experiment 0.1 - A Trickster's Silence" by Ra/Malika Imhotep Intermission I: "The ELSC Files" by Julie Cook ACT II: MONOLOGUES Chapter 8: "Titillation: Radical Visibility or When I Found Out I had Cancer, I Watched Dirty Dancing Over and Over Again" by Emily Underwood-Lee Chapter 9: "The Becoming of Miss AuroraBoobRealis: From Fourteen-Year Old Club Kid to Co-Founder of Brown Girls Burlesque" by DawN Crandell Chapter 10: "When in Doubt, Body Roll: Stories of Stripper Accidents" by Zahra Stardust Chapter 11: "Performing Intimate Experiences in a Black Queer Body" by Toussaint Jeanlouis Chapter 12: "Reading Nana, Théatre des Variétés" by Sharon Kivland Chapter 13: "Stripping off Shame and Revealing Hot Joy" by Anna Brooke Chapter 14: "Requiem for a Stripper's Suitcase" by Stacey Clare Intermission II: "The Whoopee Club" by Lara Clifton and Tamara Tyrer with photos by Sarah Ainslie ACT III: DIALOGUES Chapter 15: "What Pleasure Actually Means: An Interview with Intimacy Director Yarit Dor" by Alexander Millington with Yarit Dor Chapter 16: "Feeling Liberation: Queer Gestures Toward a World Without Rape in Jadelynn St Dre's 'Choreographies of Disclosure'" by Julia Havard and Jadelynn St Dre Chapter 17: "The Queen of Filth: Rose Wood Comes Clean with Joe E. Jeffreys" by Joe E. Jeffreys and Rose Wood Notes on Contributors
Acknowledgements Setting the Stage: An Introduction ACT I: ESSAYS Chapter 1: "Pole Dancing Academic: Decompartmentalising the Personal, Sexual and Professional while Blending Pole Dance and Research Careers" by Carolina Are Chapter 2: "Consuming Asiatic Femininity through Foodlesque-Exploring East-Asian Exoticism through Calamity Chang's Model Mi-Nori-ty Roll" by Julia Matias Chapter 3: "Selling Out: Art, Stripping, and Sexual Desire on the Public Stage" by Marissa Vigneault Chapter 4: "'The Audience is My Source of Hate': Xandra Ibarra and Fucking Whiteness" by Erin Rachel Kaplan Chapter 5: "The Inheritance: Queer Sex in the Theatre of HIV/AIDS" by Ash Hudson-Myers Chapter 6: "The Only Way Out is Through VIP: Discovering Genderqueer Identities through High Femme Strip Club Performances" by Ella-Gabriel Mason Chapter 7: The Tar Baby Principle Experiment 0.1 - A Trickster's Silence" by Ra/Malika Imhotep Intermission I: "The ELSC Files" by Julie Cook ACT II: MONOLOGUES Chapter 8: "Titillation: Radical Visibility or When I Found Out I had Cancer, I Watched Dirty Dancing Over and Over Again" by Emily Underwood-Lee Chapter 9: "The Becoming of Miss AuroraBoobRealis: From Fourteen-Year Old Club Kid to Co-Founder of Brown Girls Burlesque" by DawN Crandell Chapter 10: "When in Doubt, Body Roll: Stories of Stripper Accidents" by Zahra Stardust Chapter 11: "Performing Intimate Experiences in a Black Queer Body" by Toussaint Jeanlouis Chapter 12: "Reading Nana, Théatre des Variétés" by Sharon Kivland Chapter 13: "Stripping off Shame and Revealing Hot Joy" by Anna Brooke Chapter 14: "Requiem for a Stripper's Suitcase" by Stacey Clare Intermission II: "The Whoopee Club" by Lara Clifton and Tamara Tyrer with photos by Sarah Ainslie ACT III: DIALOGUES Chapter 15: "What Pleasure Actually Means: An Interview with Intimacy Director Yarit Dor" by Alexander Millington with Yarit Dor Chapter 16: "Feeling Liberation: Queer Gestures Toward a World Without Rape in Jadelynn St Dre's 'Choreographies of Disclosure'" by Julia Havard and Jadelynn St Dre Chapter 17: "The Queen of Filth: Rose Wood Comes Clean with Joe E. Jeffreys" by Joe E. Jeffreys and Rose Wood Notes on Contributors
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