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What if laziness isn't failure - but freedom? In a world obsessed with "rise and grind," Slacker Manifesto takes a hammer to the cult of productivity. With sharp humor and unapologetic honesty, Justin Ian Smith lays out a philosophy that embraces rest, rejects burnout, and calls out the nonsense of hustle culture. From couch-ology to the neuroscience of slacking, this book blends satire, psychology, and philosophy into a declaration of independence for anyone who's ever been told they're not doing enough. With chapters like Work as a Construct, Rituals of the Slack, and The Slack Commandments,…mehr

Produktbeschreibung
What if laziness isn't failure - but freedom? In a world obsessed with "rise and grind," Slacker Manifesto takes a hammer to the cult of productivity. With sharp humor and unapologetic honesty, Justin Ian Smith lays out a philosophy that embraces rest, rejects burnout, and calls out the nonsense of hustle culture. From couch-ology to the neuroscience of slacking, this book blends satire, psychology, and philosophy into a declaration of independence for anyone who's ever been told they're not doing enough. With chapters like Work as a Construct, Rituals of the Slack, and The Slack Commandments, it's a guide to reclaiming your time, sanity, and life. Whether you're burned out, tuned out, or just tired of being told to "do more," this manifesto is your permission slip to live slower, laugh louder, and stop apologizing for taking a nap.
Autorenporträt
Justin Smith is Professor of Cinema and Television History at De Montfort University Leicester, where he is Director of the Research and Innovation Institute in Arts, Design and Performance. Since 2010 he has been Principal Investigator on the AHRC-funded projects Channel 4 and British Film Culture (2010-14), Fifty Years of British Music Video (2015-2018), Transforming Middlemarch (2022-3) and Adapting Jane Austen for Educational and Public Engagement (2024-5). He is the author of Withnail and Us: Cult Film and Film Cults in British Cinema (I.B. Tauris, 2010), and co-author (with Sue Harper) of British Film Culture in the 1970s: The Boundaries of Pleasure (EUP, 2012). With Karen Savage, he is the co-author of 'Deference, Deferred: Rejourn as Practice in Familial War Commemoration', in Pinchbeck, M. and Westerside, A. (eds) (2018), Staging Loss. Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-319-97970-0_3 . Smith's interest in digital innovations in the archive is illustrated by https://middlemarch.dmu.ac.uk/ (2023) which is considered to be the first digital genetic edition of a screen adaptation of 19th Century literature. Smith is an archival historian with special interests in post-war British cinema, television and popular music, exploring issues of cultural identity, popular memory and family history. https://www.dmu.ac.uk/about-dmu/academic-staff/technology/justin-smith/justin-timothy-smith.aspx