The contributors to this ambitious and wide-ranging collection explore sound as an object, sound studies as a discipline, and the limits of sonic objectivity.
The contributors to this ambitious and wide-ranging collection explore sound as an object, sound studies as a discipline, and the limits of sonic objectivity.
James A. Steintrager is Professor of English, Comparative Literature, and European Languages and Studies at the University of California, Irvine. Rey Chow is Anne Firor Scott Professor of Literature at Duke University.
Inhaltsangabe
Acknowledgments vii Sound Objects: An Introduction / James A. Steintrager, with Rey Chow 1 I. Genealogies 1. Reflections on the Sound Object and Reduced Listening / Michel Chion 23 2. Pierre Schaeffer and the (Recorded) Sound Source / John Dack 33 3. The Fluctuating Sound Object / Brian Kane 53 II. Aural Reification, Sonic Commodification 4. Listening with Adorno, Again: Nonobjective Objectivity and the Possibility of Critique / James A. Steintrager 73 5. Spectral Objects: On the Fetish Character of Music Technologies / Jonathan Sterne 94 III. Acousmatic Complications 6. Listening after "Acousmaticity": Notes on a Transdisciplinary Problematic / Rey Chow 113 7. The Skin of the Voice: Acousmatic Illusions, Ventriloquial Listening / Pooja Rangan 130 IV. Sound Abjects and Nonhuman Relations 8. The Acoustic Abject: Sound and the Legal Imagination / Veit Erlmann 151 9. The Alluring Objecthood of the Heartbeat / Jairo Moreno and Gavin Steingo 167 10. On Nonhuman Sound—Sound as Relation / Georgina Born 185 V. Memory Traces 11. The Sound of Arche-Cinema / John Mowitt 211 12. Listening to the Sirens / Michael Bull 228 13. Entities Inertias Faint Beings: Drawing as Sounding / David Toop 246 Bibliography 265 Contributors 281 Index 285
Acknowledgments vii Sound Objects: An Introduction / James A. Steintrager, with Rey Chow 1 I. Genealogies 1. Reflections on the Sound Object and Reduced Listening / Michel Chion 23 2. Pierre Schaeffer and the (Recorded) Sound Source / John Dack 33 3. The Fluctuating Sound Object / Brian Kane 53 II. Aural Reification, Sonic Commodification 4. Listening with Adorno, Again: Nonobjective Objectivity and the Possibility of Critique / James A. Steintrager 73 5. Spectral Objects: On the Fetish Character of Music Technologies / Jonathan Sterne 94 III. Acousmatic Complications 6. Listening after "Acousmaticity": Notes on a Transdisciplinary Problematic / Rey Chow 113 7. The Skin of the Voice: Acousmatic Illusions, Ventriloquial Listening / Pooja Rangan 130 IV. Sound Abjects and Nonhuman Relations 8. The Acoustic Abject: Sound and the Legal Imagination / Veit Erlmann 151 9. The Alluring Objecthood of the Heartbeat / Jairo Moreno and Gavin Steingo 167 10. On Nonhuman Sound—Sound as Relation / Georgina Born 185 V. Memory Traces 11. The Sound of Arche-Cinema / John Mowitt 211 12. Listening to the Sirens / Michael Bull 228 13. Entities Inertias Faint Beings: Drawing as Sounding / David Toop 246 Bibliography 265 Contributors 281 Index 285
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