An icon of British national identity and one of the most widely performed twentieth-century composers, Ralph Vaughan Williams has been as much misunderstood as revered. This Companion presents new perspectives on the composer's music, cultural context and reception in Britain and beyond, and includes interviews with major living composers.
An icon of British national identity and one of the most widely performed twentieth-century composers, Ralph Vaughan Williams has been as much misunderstood as revered. This Companion presents new perspectives on the composer's music, cultural context and reception in Britain and beyond, and includes interviews with major living composers.
Chronology; Introduction Alain Frogley and Aidan J. Thomson; Part I. 'Who wants the English composer?': Forging a Path, 1890-1925: 1. The composer and society: family, politics, nation Julian Onderdonk; 2. Vaughan Williams's musical apprenticeship Byron Adams; 3. Becoming a national composer: critical reception to c.1925 Aidan J. Thomson; Part II. Works by Genre: 4. History and geography: the early orchestral works and first three symphonies Alain Frogley; 5. The songs and shorter secular choral works Sophie Fuller; 6. 'An Englishman and a democrat': Vaughan Williams, large choral works and the English festival tradition Charles Edward McGuire; 7. Folksong arrangements, hymn tunes, and church music Julian Onderdonk; 8. Music for stage and film Eric Saylor; 9. Chamber music and works for soloist with orchestra Christopher Mark; 10. The later symphonies Julian Horton; Part III. Activism, Reception, and Influence: 11. The public figure: Vaughan Williams as writer and activist David Manning; 12. Vaughan Williams, Boult, and the BBC Jenny Doctor; 13. Fluctuations in the response to the music of Ralph Vaughan Williams Michael Kennedy; 14. Vaughan Williams and his successors: composers' forum Peter Maxwell Davies, Piers Hellawell, Nicola LeFanu and Anthony Payne in conversation with Aidan J. Thomson; Select bibliography; Index of Vaughan Williams's works.
Chronology; Introduction Alain Frogley and Aidan J. Thomson; Part I. 'Who wants the English composer?': Forging a Path, 1890-1925: 1. The composer and society: family, politics, nation Julian Onderdonk; 2. Vaughan Williams's musical apprenticeship Byron Adams; 3. Becoming a national composer: critical reception to c.1925 Aidan J. Thomson; Part II. Works by Genre: 4. History and geography: the early orchestral works and first three symphonies Alain Frogley; 5. The songs and shorter secular choral works Sophie Fuller; 6. 'An Englishman and a democrat': Vaughan Williams, large choral works and the English festival tradition Charles Edward McGuire; 7. Folksong arrangements, hymn tunes, and church music Julian Onderdonk; 8. Music for stage and film Eric Saylor; 9. Chamber music and works for soloist with orchestra Christopher Mark; 10. The later symphonies Julian Horton; Part III. Activism, Reception, and Influence: 11. The public figure: Vaughan Williams as writer and activist David Manning; 12. Vaughan Williams, Boult, and the BBC Jenny Doctor; 13. Fluctuations in the response to the music of Ralph Vaughan Williams Michael Kennedy; 14. Vaughan Williams and his successors: composers' forum Peter Maxwell Davies, Piers Hellawell, Nicola LeFanu and Anthony Payne in conversation with Aidan J. Thomson; Select bibliography; Index of Vaughan Williams's works.
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