In 19th century Europe, illustrated newspapers allowed consumers a shared, transnational experience. Arguing against the assumption that such publications may have emerged merely to support a national imagined community, this monograph uncovers the roots of a global visual news culture fostered by illustrated news from the 19th century.
In 19th century Europe, illustrated newspapers allowed consumers a shared, transnational experience. Arguing against the assumption that such publications may have emerged merely to support a national imagined community, this monograph uncovers the roots of a global visual news culture fostered by illustrated news from the 19th century.
Thomas Smits is Postdoctoral Researcher at the University of Utrecht, the Netherlands.
Inhaltsangabe
Introduction 1. Readers all over the world: The audiences of the Illustrated London News, l'Illustration and the Illustrirte Zeitung, 1842-1870 2. The transnational trade in illustrations of the news, 1842-1870 3. Foreign images of war: L'Illustration's images of the Crimean War in Cassell's Illustrated Family Paper 4. Images of the World: The transnational trade in illustrations and the visual representation of the Universal Exposition of 1867 Conclusion Bibliography
Introduction; 1. Readers all over the world: The audiences of the Illustrated London News, l'Illustration and the Illustrirte Zeitung, 1842-1870; 2. The transnational trade in illustrations of the news, 1842-1870; 3. Foreign images of war: L'Illustration's images of the Crimean War in Cassell's Illustrated Family Paper; 4. Images of the World: The transnational trade in illustrations and the visual representation of the Universal Exposition of 1867; Conclusion; Bibliography
Introduction 1. Readers all over the world: The audiences of the Illustrated London News, l'Illustration and the Illustrirte Zeitung, 1842-1870 2. The transnational trade in illustrations of the news, 1842-1870 3. Foreign images of war: L'Illustration's images of the Crimean War in Cassell's Illustrated Family Paper 4. Images of the World: The transnational trade in illustrations and the visual representation of the Universal Exposition of 1867 Conclusion Bibliography
Introduction; 1. Readers all over the world: The audiences of the Illustrated London News, l'Illustration and the Illustrirte Zeitung, 1842-1870; 2. The transnational trade in illustrations of the news, 1842-1870; 3. Foreign images of war: L'Illustration's images of the Crimean War in Cassell's Illustrated Family Paper; 4. Images of the World: The transnational trade in illustrations and the visual representation of the Universal Exposition of 1867; Conclusion; Bibliography
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