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The second scholarly study in English to consider the creative role of the camera operator in the film-making process Represents the first scholarly study to offer a detailed analysis of the films of the Soviet avant-garde in their totality Crosses disciplinary boundaries and examines the relationship between cinema and the visual arts

Produktbeschreibung
The second scholarly study in English to consider the creative role of the camera operator in the film-making process Represents the first scholarly study to offer a detailed analysis of the films of the Soviet avant-garde in their totality Crosses disciplinary boundaries and examines the relationship between cinema and the visual arts
Autorenporträt
Philip Cavendish is Reader in Russian and Soviet Film Studies at the School of Slavonic and East European Studies, University College London. He is the author of Mining for Jewels: Evgenii Zamiatin and the Literary Stylization of Rus' (MHRA, 2000), and Soviet Mainstream Cinematography: The Silent Era (UCL, 2007).