Focusing on the first 10 years following the events of 9/11, this book provides an in-depth analysis of the various means through which stereotypical characteristics of Muslim identities and their worlds have been realised in US cinema. In the course of the analysis, it emerges that changes to the old-style stereotypical representations have also been influenced by factors other than politics.
Focusing on the first 10 years following the events of 9/11, this book provides an in-depth analysis of the various means through which stereotypical characteristics of Muslim identities and their worlds have been realised in US cinema. In the course of the analysis, it emerges that changes to the old-style stereotypical representations have also been influenced by factors other than politics.
Kerem Bayraktarölu worked as a story editor for New Line Cinema/Fine Line Features, London, and was involved in such projects as The Sleeping Dictionary, Ripley's Game and Dancer in the Dark. He moved to New York City in 2001 where he became one of the original members of Cinetic Media. He moved back to London in 2004 to join Artists Independent Films.
Inhaltsangabe
Table of Contents Acknowledgments Preface Introduction 1. Building a "Muslim World" for the Large Screen 2. Muslim Space Before and After 9/11 3. The Muslim Male Character Typology 4. White Female and Muslim Male Characters 5. From Stereotype to "New" Muslim Woman 6. Muslim Children 7. The Normalization of the Muslim World 8. "Be sincere, be brief, be seated" Filmography Chapter Notes Works Cited Index
Table of Contents Acknowledgments Preface Introduction 1. Building a "Muslim World" for the Large Screen 2. Muslim Space Before and After 9/11 3. The Muslim Male Character Typology 4. White Female and Muslim Male Characters 5. From Stereotype to "New" Muslim Woman 6. Muslim Children 7. The Normalization of the Muslim World 8. "Be sincere, be brief, be seated" Filmography Chapter Notes Works Cited Index
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