This book is a result of an effort made by us towards making a contribution to the preservation and repair of original classic literature. In an attempt to preserve, improve and recreate the original content, we have worked towards: 1. Type-setting & Reformatting: The complete work has been re-designed via professional layout, formatting and type-setting tools to re-create the same edition with rich typography, graphics, high quality images, and table elements, giving our readers the feel of holding a 'fresh and newly' reprinted and/or revised edition, as opposed to other scanned & printed…mehr
This book is a result of an effort made by us towards making a contribution to the preservation and repair of original classic literature. In an attempt to preserve, improve and recreate the original content, we have worked towards: 1. Type-setting & Reformatting: The complete work has been re-designed via professional layout, formatting and type-setting tools to re-create the same edition with rich typography, graphics, high quality images, and table elements, giving our readers the feel of holding a 'fresh and newly' reprinted and/or revised edition, as opposed to other scanned & printed (Optical Character Recognition - OCR) reproductions. 2. Correction of imperfections: As the work was re-created from the scratch, therefore, it was vetted to rectify certain conventional norms with regard to typographical mistakes, hyphenations, punctuations, blurred images, missing content/pages, and/or other related subject matters, upon our consideration. Every attempt was made to rectify the imperfections related to omitted constructs in the original edition via other references. However, a few of such imperfections which could not be rectified due to intentional\unintentional omission of content in the original edition, were inherited and preserved from the original work to maintain the authenticity and construct, relevant to the work. We believe that this work holds historical, cultural and/or intellectual importance in the literary works community, therefore despite the oddities, we accounted the work for print as a part of our continuing effort towards preservation of literary work and our contribution towards the development of the society as a whole, driven by our beliefs. We are grateful to our readers for putting their faith in us and accepting our imperfections with regard to preservation of the historical content. HAPPY READING!
English novelist Ann Radcliffe (née Ward; 9 July 1764 - 7 February 1823) is credited with creating Gothic fiction. She was the only child of haberdasher William Ward and Ann Oates and was born in London. Young Radcliffe started writing, and she became well-known for her atmospheric, suspenseful books that mixed aspects of romance and horror. She wed writer and editor William Radcliffe in 1787. She achieved enormous popularity with her two well-known works, "The Mysteries of Udolpho" (1794) and "The Italian" (1797). Strong characters, frightening locations, and evocative descriptions were all hallmarks of Radcliffe's books. She received accolades for using psychological suspense rather than supernatural components to create a feeling of horror. While Radcliffe was alive, she was quite well-liked, but certain literary groups also had criticism for her. Her writings were criticized for being too romantic and sensational. Even yet, Radcliffe's books impacted the Gothic subgenre and provided authors like Jane Austen and Edgar Allan Poe with inspiration. Early in the 19th century, Radcliffe's writing career came to an end, and she had a tranquil life until her death in 1823. Even today, people acknowledge and appreciate her influence on literature and her role in the development of Gothic fiction
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