This volume aims to investigate the nature of the relation between pictorial experience and aesthetic appreciation. It is concerned with the character and intimacy of this relationship: is there a mere causal connection between pictorial experience and aesthetic appreciation, or are the two relata constitutively associated with one another?
This volume aims to investigate the nature of the relation between pictorial experience and aesthetic appreciation. It is concerned with the character and intimacy of this relationship: is there a mere causal connection between pictorial experience and aesthetic appreciation, or are the two relata constitutively associated with one another?
Jérôme Pelletier is a Statutary Member at the Institut Jean Nicod, Paris, France Alberto Voltolini is Professor in Philosophy of Mind at the University of Turin, Italy
Inhaltsangabe
Introduction: Pictorial Experience and Aesthetic Appreciation: A Puzzling Relation Jérôme Pelletier and Alberto Voltolini Part I: Appreciation of Artworks 1. Seeing the Light: Aesthetic Appreciation and Understanding Pictures Elisabeth Schellekens 2. Pictures: Their Power in Practice Dominic McIver Lopes 3. It's a Great Work But I Don't Like It: On the Differences between Aesthetic Evaluation and Appreciation Clotilde Calabi, Wolfgang Huemer and Marco Santambrogio Part II: Pictorial Experience and Aesthetic Appreciation 4. Pictorial Experience and Aesthetic Appreciation: Wollheim Reassessed and Vindicated Alberto Voltolini 5. Pictorial Experience and Perceptual Activity John Zeimbekis 6. Threefold Pictorial Experience and Aesthetic Attitude Regina-Nino Mion 7. Stylistic Deformity and Pictorial Experience Katerina Bantinaki 8. Inflection and Representation Jérôme Pelletier 9. Temporal Images: The Anamorphic Game and the Nature of Picture Paolo Spinicci 10. Art Made for Pictures John Kulvicki and Bence Nanay Part III: Cinematic Appreciation 11. Sculpting in Time: Temporally Inflected Experience of Cinema Robert Hopkins 12. Why to Watch a Film Twice Enrico Terrone Part IV: Aesthetic Appreciation, Agency and Facture 13. Pictures and their Surfaces Gregory Currie 14. Neo-Impressionism Touch and Facture Georges Roque 15. Evidence of Facture and the Appreciative Relevance of Artistic Activity David Davies
Introduction: Pictorial Experience and Aesthetic Appreciation: A Puzzling Relation Jérôme Pelletier and Alberto Voltolini Part I: Appreciation of Artworks 1. Seeing the Light: Aesthetic Appreciation and Understanding Pictures Elisabeth Schellekens 2. Pictures: Their Power in Practice Dominic McIver Lopes 3. It's a Great Work But I Don't Like It: On the Differences between Aesthetic Evaluation and Appreciation Clotilde Calabi, Wolfgang Huemer and Marco Santambrogio Part II: Pictorial Experience and Aesthetic Appreciation 4. Pictorial Experience and Aesthetic Appreciation: Wollheim Reassessed and Vindicated Alberto Voltolini 5. Pictorial Experience and Perceptual Activity John Zeimbekis 6. Threefold Pictorial Experience and Aesthetic Attitude Regina-Nino Mion 7. Stylistic Deformity and Pictorial Experience Katerina Bantinaki 8. Inflection and Representation Jérôme Pelletier 9. Temporal Images: The Anamorphic Game and the Nature of Picture Paolo Spinicci 10. Art Made for Pictures John Kulvicki and Bence Nanay Part III: Cinematic Appreciation 11. Sculpting in Time: Temporally Inflected Experience of Cinema Robert Hopkins 12. Why to Watch a Film Twice Enrico Terrone Part IV: Aesthetic Appreciation, Agency and Facture 13. Pictures and their Surfaces Gregory Currie 14. Neo-Impressionism Touch and Facture Georges Roque 15. Evidence of Facture and the Appreciative Relevance of Artistic Activity David Davies
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