The taste of chocolate, the noise of a crowd, the visual impressions of filmic images-such sensory perceptions are rarely if ever discussed in relation to democratic theory. In response, Davide Panagia argues that by overlooking sensation political theori
The taste of chocolate, the noise of a crowd, the visual impressions of filmic images-such sensory perceptions are rarely if ever discussed in relation to democratic theory. In response, Davide Panagia argues that by overlooking sensation political theori
Illustrations xi Acknowledgments: Grazie xiii Prologue: Narratocracy and the Contours of Political Life 1 1. From Nomos to Nomad: Kant, Deleuze, and Rancière on Sensation 21 2. The Piazza, the Edicola, and the Noise of the Utterance 45 3. Machiavelli's Theory of Sensation and Florence's Vita Festiva 74 4. The Viewing Subject: Caravaggio, Bacon, and The Ring 96 5. "You're Eating Too Fast!" Slow Food's Ethos of Convivium 123 Epilogue: "The Photograph's Tell It All": On an Ethics of Appearance 149 Notes 155 Bibliography 189 Index 201
Illustrations xi Acknowledgments: Grazie xiii Prologue: Narratocracy and the Contours of Political Life 1 1. From Nomos to Nomad: Kant, Deleuze, and Rancière on Sensation 21 2. The Piazza, the Edicola, and the Noise of the Utterance 45 3. Machiavelli's Theory of Sensation and Florence's Vita Festiva 74 4. The Viewing Subject: Caravaggio, Bacon, and The Ring 96 5. "You're Eating Too Fast!" Slow Food's Ethos of Convivium 123 Epilogue: "The Photograph's Tell It All": On an Ethics of Appearance 149 Notes 155 Bibliography 189 Index 201
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