The Routledge Companion to Theatre, Performance and Cognitive Science integrates key findings from the cognitive sciences (cognitive psychology, neuroscience, evolutionary studies, and relevant social sciences) with insights from theatre and performance studies.
The Routledge Companion to Theatre, Performance and Cognitive Science integrates key findings from the cognitive sciences (cognitive psychology, neuroscience, evolutionary studies, and relevant social sciences) with insights from theatre and performance studies.
Rick Kemp is Professor of Theatre and Head of Acting and Directing at Indiana University of Pennsylvania, USA. An actor, director and Fellow of the Salzburg Global Seminar on Neuroscience and Art, his publications include Embodied Acting: What Neuroscience Tells Us About Performance (2012) and The Routledge Companion to Jacques Lecoq (2016). Bruce McConachie, Emeritus Professor at the University of Pittsburgh, USA, has published widely in theatre history and cognitive studies. His scholarship includes Engaging Audiences (2008), Evolution, Cognition, and Performance (2015), and chapters in Theatre Histories: An Introduction (3rd edition, 2016). A former president of the American Society for Theatre Research, McConachie also acts and directs.
Inhaltsangabe
General Introduction Bruce McConachie Part I: Artistry Introduction Rick Kemp 1. Stanislavsky's prescience: The conscious self in the system and Active Analysis as a theory of mind Sharon Marie Carnicke 2. The improviser's lazy brain: improvisation and cognition Gunter Lösel 3. Devising - embodied creation in distributed systems Rick Kemp 4. Embodied cognition and Shakespearean performance Darren Tunstall 5. The remains of ancient action: Understanding affect and empathy in Greek drama Peter Meineck 6. Minding implicit constraints in dance improvisation Pil Hansen 7. Applying developmental epistemic cognition to theatre for young audiences Jeanne Klein 8. 4E cognition for directing: Thornton Wilder's Our Town and Caryl Churchill's Light Shining in Buckinghamshire Rhonda Blair 9. Acting and Emotion Vladimir Mirodan Part II: Learning Introduction Bruce McConachie 10. Improvising communication in Pleistocene performances Bruce McConachie 11. Ritual transformation and transmission David Mason 12. Communities of gesture: Empathy and embodiment in Bill T. Jones/Arnie Zane Dance Company's 100 Migrations Ariel Nereson 13. Creative storytelling, crossing boundaries, high-impact learning and social engagement Nancy Kindelan 14. From banana phones to the bard: The developmental psychology of acting Thalia R. Goldstein 15. 'I'm giving everybody notes using his body': Framing actors' observation of performance Claire Syler 16. Acting technique, Jacques Lecoq, and embodied meaning Rick Kemp Part III: Scholarship Introduction Bruce McConachie 17. Systems theory, enaction and performing arts Gabriele Sofia 18. Watching movement: Phenomenology, cognition, performance Stanton B. Garner, Jr. 19. Attention to theatrical performances James Hamilton 20. Emergence, meaning and presence: An interdisciplinary approach to a disciplinary question Amy Cook 21. Relishing performance: Rasa as participatory sense-making Erin B. Mee 22. The self, ethics, agency and tragedy David Palmer 23. Aesthetics and the sensible John Lutterbie 24. Talk this dance: On the conceptualization of dance as fictive conversation Ana Margarida Abrantes and Esther Pascual 25. Distributed cognition: Studying theatre in the wild Evelyn Tribble and Robin Dixon Part IV: Translational Applications Introduction Rick Kemp 26. A theatrical intervention to lower the risk of Alzheimer's and other forms of dementia Tony and Helga Noice 27. The Performance of Caring: Theatre, empathetic communication and healthcare Rick Kemp and Rachel DeSoto-Jackson 28. Awareness performing: Practice and protocol Experience Bryon 29. Imagining the ecologies of autism Melissa Trimingham and Nicola Shaughnessy 30. Toward consilience: Integrating performance history with the coevolution of our species Bruce McConachie
General Introduction Bruce McConachie Part I: Artistry Introduction Rick Kemp 1. Stanislavsky's prescience: The conscious self in the system and Active Analysis as a theory of mind Sharon Marie Carnicke 2. The improviser's lazy brain: improvisation and cognition Gunter Lösel 3. Devising - embodied creation in distributed systems Rick Kemp 4. Embodied cognition and Shakespearean performance Darren Tunstall 5. The remains of ancient action: Understanding affect and empathy in Greek drama Peter Meineck 6. Minding implicit constraints in dance improvisation Pil Hansen 7. Applying developmental epistemic cognition to theatre for young audiences Jeanne Klein 8. 4E cognition for directing: Thornton Wilder's Our Town and Caryl Churchill's Light Shining in Buckinghamshire Rhonda Blair 9. Acting and Emotion Vladimir Mirodan Part II: Learning Introduction Bruce McConachie 10. Improvising communication in Pleistocene performances Bruce McConachie 11. Ritual transformation and transmission David Mason 12. Communities of gesture: Empathy and embodiment in Bill T. Jones/Arnie Zane Dance Company's 100 Migrations Ariel Nereson 13. Creative storytelling, crossing boundaries, high-impact learning and social engagement Nancy Kindelan 14. From banana phones to the bard: The developmental psychology of acting Thalia R. Goldstein 15. 'I'm giving everybody notes using his body': Framing actors' observation of performance Claire Syler 16. Acting technique, Jacques Lecoq, and embodied meaning Rick Kemp Part III: Scholarship Introduction Bruce McConachie 17. Systems theory, enaction and performing arts Gabriele Sofia 18. Watching movement: Phenomenology, cognition, performance Stanton B. Garner, Jr. 19. Attention to theatrical performances James Hamilton 20. Emergence, meaning and presence: An interdisciplinary approach to a disciplinary question Amy Cook 21. Relishing performance: Rasa as participatory sense-making Erin B. Mee 22. The self, ethics, agency and tragedy David Palmer 23. Aesthetics and the sensible John Lutterbie 24. Talk this dance: On the conceptualization of dance as fictive conversation Ana Margarida Abrantes and Esther Pascual 25. Distributed cognition: Studying theatre in the wild Evelyn Tribble and Robin Dixon Part IV: Translational Applications Introduction Rick Kemp 26. A theatrical intervention to lower the risk of Alzheimer's and other forms of dementia Tony and Helga Noice 27. The Performance of Caring: Theatre, empathetic communication and healthcare Rick Kemp and Rachel DeSoto-Jackson 28. Awareness performing: Practice and protocol Experience Bryon 29. Imagining the ecologies of autism Melissa Trimingham and Nicola Shaughnessy 30. Toward consilience: Integrating performance history with the coevolution of our species Bruce McConachie
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