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First published in 1854, The Spirit-Rapper: An Autobiography is one of the earliest American novels to grapple with the rise of spiritualism. Orestes A. Brownson, a religious critic and essayist, crafted this fictional memoir to explore the temptations and dangers he saw in séances, mesmerism, and attempts to communicate with the dead. The narrative follows a man whose thirst for hidden knowledge leads him away from traditional faith. Drawn first to mesmerism and occult practices, he soon becomes enmeshed in spirit-rapping-the fashionable séances that claimed to reveal voices from the other world. At first, the messages seem to offer insight and wisdom. But as he follows these spectral guides, their promises unravel into confusion, deception, and despair. Part cautionary tale, part philosophical novel, Brownson's work captures the cultural moment when spiritualism was spreading across America. It blends confession, supernatural encounters, and moral reflection into a story that asks whether truth can ever come from spirits-or whether such paths lead only to delusion. Today, the book stands as a rare document of both 19th-century supernatural belief and its critics, dramatized through the voice of one who fell under its spell.