D. H. Lawrence's best-known late fictions are presented in this volume, which is dominated by two powerful novellas, The Virgin and the Gipsy and The Escaped Cock (also known as The Man Who Died). In the first, a young woman from a restrictive English rectory discovers further dimensions to life through her contact with a gipsy; in the second, an unnamed man - in fact Lawrence's vision of Christ - is resurrected and escapes from his tomb. Both novellas deal with the themes of escape and sexual awakening, which are echoed in the four short stories and three fragments also collected here. This…mehr
D. H. Lawrence's best-known late fictions are presented in this volume, which is dominated by two powerful novellas, The Virgin and the Gipsy and The Escaped Cock (also known as The Man Who Died). In the first, a young woman from a restrictive English rectory discovers further dimensions to life through her contact with a gipsy; in the second, an unnamed man - in fact Lawrence's vision of Christ - is resurrected and escapes from his tomb. Both novellas deal with the themes of escape and sexual awakening, which are echoed in the four short stories and three fragments also collected here. This edition restores Lawrence's final texts, before the changes introduced by censorship, mistakes in transmission and various other forms of interference, with variants recorded. The introduction traces the history of the stories, while the notes offer help with allusions, contexts and other points of potential difficulty or interest.
David Herbert Richards "D. H." Lawrence (11 September 1885 - 2 March 1930) was an English novelist, poet, playwright, essayist, literary critic and painter. His collected works represent, among other things, an extended reflection upon the dehumanising effects of modernity and industrialisation. Some of the issues Lawrence explores are emotional health, vitality, spontaneity and instinct. Lawrence's opinions earned him many enemies and he endured official persecution, censorship, and misrepresentation of his creative work throughout the second half of his life, much of which he spent in a voluntary exile which he called his "savage pilgrimage." At the time of his death, his public reputation was that of a pornographer who had wasted his considerable talents. E. M. Forster, in an obituary notice, challenged this widely held view, describing him as, "The greatest imaginative novelist of our generation." Lawrence is perhaps best known for his novels Sons and Lovers, The Rainbow, Women in Love and Lady Chatterley's Lover. Within these Lawrence explores the possibilities for life within an industrial setting. In particular Lawrence is concerned with the nature of relationships that can be had within such a setting. Though often classed as a realist, Lawrence in fact uses his characters to give form to his personal philosophy. His depiction of sexual activity, though seen as shocking when he first published in the early 20th century, has its roots in this highly personal way of thinking and being. It is worth noting that Lawrence was very interested in the sense of touch and that his focus on physical intimacy has its roots in a desire to restore an emphasis on the body, and re-balance it with what he perceived to be Western civilisation's over-emphasis on the mind.
Inhaltsangabe
General editor's preface Chronology Introduction The Virgin and the Gipsy 'Things' 'Rawdon's Roof' 'Mother and Daughter' The Escaped Cock 'The Blue Moccasins' Appendix I: The Escaped Cock: early versions Appendix II: 'The Man Who Was Through with the World' Appendix III: 'The Undying Man' Appendix IV: 'The Blue Moccasins': early versions Appendix V: 'The Woman Who Wanted to Disappear' Explanatory notes Textual apparatus Note on pounds, shillings and pence.
General editor's preface Chronology Introduction The Virgin and the Gipsy 'Things' 'Rawdon's Roof' 'Mother and Daughter' The Escaped Cock 'The Blue Moccasins' Appendix I: The Escaped Cock: early versions Appendix II: 'The Man Who Was Through with the World' Appendix III: 'The Undying Man' Appendix IV: 'The Blue Moccasins': early versions Appendix V: 'The Woman Who Wanted to Disappear' Explanatory notes Textual apparatus Note on pounds, shillings and pence.
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