In this collection of critical essays, Barry Schwabsky re-examines the art produced since the 1960s, demonstrating how the achievements of 'high modernism' remain consequential to it, through tensions between representation, abstraction, and pictorial language. Offering close readings of works produced by several generations of European and American artists, he begins with an analysis of the late period of two Abstract Expressionists, Philip Guston and Mark Rothko, who saw their own success as a failure of reception and who came to question radically their own work. With the core of the book…mehr
In this collection of critical essays, Barry Schwabsky re-examines the art produced since the 1960s, demonstrating how the achievements of 'high modernism' remain consequential to it, through tensions between representation, abstraction, and pictorial language. Offering close readings of works produced by several generations of European and American artists, he begins with an analysis of the late period of two Abstract Expressionists, Philip Guston and Mark Rothko, who saw their own success as a failure of reception and who came to question radically their own work. With the core of the book focused on Michelangelo Pistoletto and Mel Bochner, major figures of arte povera and conceptual art whose works in a variety of media demonstrate a continuing critical engagement with modernism, Schwabsky also studies the work of artists, such as L. C. Armstrong and Rainer Ganahl, who also continued to examine modernism's legacies.
Barry Schwabsky has published four previous books of poetry as well as several chapbooks. He is the author of numerous works of criticism, and is the art critic for The Nation and co-editor of international reviews for Artforum.
Inhaltsangabe
Part I. Abstraction, Representation ...: 1. The widening circle: abstraction and representation in contemporary art and criticism 2. 'The real situation': Philip Guston and Mark Rothko at the end of the 1960s 3. Norman Bluhm and the eternal feminine 4. Color field and Caro: mannerist modernism 5. Larry Poons: formalism in ruins 6. Gesture revisited: Mel Bochner, Howard Buchwald, Brice Marden 7. Mary Heilmann's ceramics and paintings: color as substance 8. Porfirio DiDonna: vision fulfilled 9. Moira Dryer: answering machines 10. The rustle of painting: Jacques Lacan, David Row, Brenda Zlamany Part II. Italian Interlude: 11. W. de Pisis 12. Rotellascope 13. Michelangelo Pistoletto: mirrors to monuments 14. The abstraction epidemic: a conversation with Demetrio Paparoni Part III ... and Inscription: 15. Thomas Chimes: concerning the surface 16. Cy Twombly: Et in Arcadia Ego? 17. Bruce Conner's inkblot drawings: documents for a secret tradition 18. Reverse continuity: the prints of Mel Bochner 19. Rubble: representing Mel Bochner's early work 20. Ross Bleckner: memories of light 21. L. C. Armstrong: written on the skin 22. Rainer Ganahl: windows on the word.
Part I. Abstraction, Representation ...: 1. The widening circle: abstraction and representation in contemporary art and criticism 2. 'The real situation': Philip Guston and Mark Rothko at the end of the 1960s 3. Norman Bluhm and the eternal feminine 4. Color field and Caro: mannerist modernism 5. Larry Poons: formalism in ruins 6. Gesture revisited: Mel Bochner, Howard Buchwald, Brice Marden 7. Mary Heilmann's ceramics and paintings: color as substance 8. Porfirio DiDonna: vision fulfilled 9. Moira Dryer: answering machines 10. The rustle of painting: Jacques Lacan, David Row, Brenda Zlamany Part II. Italian Interlude: 11. W. de Pisis 12. Rotellascope 13. Michelangelo Pistoletto: mirrors to monuments 14. The abstraction epidemic: a conversation with Demetrio Paparoni Part III ... and Inscription: 15. Thomas Chimes: concerning the surface 16. Cy Twombly: Et in Arcadia Ego? 17. Bruce Conner's inkblot drawings: documents for a secret tradition 18. Reverse continuity: the prints of Mel Bochner 19. Rubble: representing Mel Bochner's early work 20. Ross Bleckner: memories of light 21. L. C. Armstrong: written on the skin 22. Rainer Ganahl: windows on the word.
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