This book offers a close look at how directors such as Erich von Stroheim, Ernst Lubitsch, and Max Ophüls made use of the city of Vienna, and how the nostalgic glorification of the Habsburg era can be seen as directly tied to crucial issues of modernity.
This book offers a close look at how directors such as Erich von Stroheim, Ernst Lubitsch, and Max Ophüls made use of the city of Vienna, and how the nostalgic glorification of the Habsburg era can be seen as directly tied to crucial issues of modernity.
Alexandra Seibel holds a Ph.D. from New York University in Cinema Studies and is particularly interested in city and cinema, urban modernity and global youth culture. Her publications include Timothy Shary and Alexandra Seibel (eds.): Youth Culture In Global Cinema, Austin: Texas University Press 2007.
Inhaltsangabe
1. Introduction: Vienna in Cinema - A Traveling Image 1920-1940 2. Fairgrounds and Vineyards: Urban Topographies in the Viennese Films of Erich von Stroheim 3. Critical Controversial Conventional: Viennese Girls in Films by Ophüls Feyder Hochbaum and Forst 4. Women and the Market of Modernity: G. W. Pabst's THE JOYLESS STREET (1925) 5. The Sound of Make-Believe: Ernst Lubitsch and the World of the Operetta 6. Conclusion 7. Bibliography 8. Filmography
1. Introduction: Vienna in Cinema - A Traveling Image 1920-1940 2. Fairgrounds and Vineyards: Urban Topographies in the Viennese Films of Erich von Stroheim 3. Critical Controversial Conventional: Viennese Girls in Films by Ophüls Feyder Hochbaum and Forst 4. Women and the Market of Modernity: G. W. Pabst's THE JOYLESS STREET (1925) 5. The Sound of Make-Believe: Ernst Lubitsch and the World of the Operetta 6. Conclusion 7. Bibliography 8. Filmography
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