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We're The Flowover. We Come From Flyoverland. introduces a roving, Baudelarian speaker seeking to "translate pigeon into English" (the bird's music, or grammatically simplified language), among the streets of "bone and ash," post-empire USA: home to "The Longest Winter on Record." Amid "mirrors not made of metal amalgam and glass," and indexical signs replacing reality ("food we want to eat via pointing"), he mourns the tendency to kill "not the enemy but the messenger," in a world where what's sacred is unprotected: a "a temple where the door is never locked." But this speaker is not…mehr

Produktbeschreibung
We're The Flowover. We Come From Flyoverland. introduces a roving, Baudelarian speaker seeking to "translate pigeon into English" (the bird's music, or grammatically simplified language), among the streets of "bone and ash," post-empire USA: home to "The Longest Winter on Record." Amid "mirrors not made of metal amalgam and glass," and indexical signs replacing reality ("food we want to eat via pointing"), he mourns the tendency to kill "not the enemy but the messenger," in a world where what's sacred is unprotected: a "a temple where the door is never locked." But this speaker is not dissuaded by simulacra nor the steady thrum ("wrong, goddamnit") that "grows into what I hear": instead, he tunes into a "species forgotten," a "small print none have ever bothered to read." The title delivers its promise: the flownover (disregarded) from flyoverland (transcendent) arrive at a Carpe Diem not rapacious but ecstatic, as tourists of the body, in "climax," become those of the mind. -Virginia Konchan, author of Any God Will Do and The End of Spectacle Reading Mauch's work, I'm reminded over and over of Stanley Kunitz's statement that "The first task of the poet is to create the person who will write the poems." Here we have the kind of shimmering lyric insights that can come only from a mind and heart far along the path of enlightenment. What a great gift Mauch has given us by inviting us to share in the journey, offering us no less than "a temple where the door is never locked." -Melissa Studdard, author of Like a Bird with a Thousand Wings and I Ate the Cosmos for Breakfast
Autorenporträt
Matt Mauch is the author of five books of lyrical prose and poetry, including A Northern Spring, We're the Flownover. We Come From Flyoverland, Bird~Brain, If You're Lucky Is a Theory of Mine, as well as the chapbook The Brilliance of the Sparrow. He founded the Great Twin Cities Poetry Read and the journal Poetry City, and has organized and hosted many other poetry readings and events. Mauch's work has been recognized by the Minnesota State Arts Board and as a finalist for National Poetry Series and other national and international contests. His work has appeared in numerous journals, including Conduit, The Journal, DIAGRAM, Willow Springs, The Los Angeles Review, Forklift, Ohio, Sonora Review, Water~Stone Review, and on the Poetry Daily and Verse Daily websites. Mauch lives in Minneapolis and teaches in the AFA in the Creative Writing program at Normandale Community College. He and his books can be found online at mauchmauch.com.