Joan Hawkins is Associate Professor of Cinema and Media Studies in the Media School at Indiana University. She is author of Cutting Edge: Art-Horror and the Horrific Avant-garde and editor of the anthology Downtown Film and TV Culture, 1975-2001. She co-organized the Burroughs Century conference and symposium held at Indiana University Bloomington in 2014. Alex Wermer-Colan is a Council of Library and Information Resources Postdoctoral Fellow at Temple Universitys Digital Scholarship Center. He researched and edited The Travel Agency is on Fire, a collection of unpublished archival materials,…mehr
Joan Hawkins is Associate Professor of Cinema and Media Studies in the Media School at Indiana University. She is author of Cutting Edge: Art-Horror and the Horrific Avant-garde and editor of the anthology Downtown Film and TV Culture, 1975-2001. She co-organized the Burroughs Century conference and symposium held at Indiana University Bloomington in 2014. Alex Wermer-Colan is a Council of Library and Information Resources Postdoctoral Fellow at Temple Universitys Digital Scholarship Center. He researched and edited The Travel Agency is on Fire, a collection of unpublished archival materials, prose poems Burroughs produced by cutting up a range of canonical texts. Wermer-Colan was the organizer of the William S. Burroughs Centennial Conference held at the City University of New York in 2014.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
edited by Joan Hawkins, Henry Alexander Wermer-Colan, with contributions by Charles Cannon, Tony A. Brewer
Inhaltsangabe
Acknowledgments Collage of Time Harvard Lampoon Parody, William S. Burroughs, facsimile, 1965 Introduction: Cutting Up the Century / Alex Wermer-Colan and Joan Hawkins Biographical Timeline Metamorphosis 1. Cutting Up the Century / Oliver Harris The Reality Studio SECTION I: ICON/VIRAL Deposition of the Ugly Spirit, William S. Burroughs, typescript, Villa Muniria, Summer 1961 2. Burroughs and Biography: An Interview with Barry Miles / Oliver Harris Cutting Up the Critics, typescripts, 1962-64 3. The Nova Convention: Celebrating the Burroughs of Downtown New York / Kristen Galvin Nova Convention Poster, Sylvere Lotringer, facsimile, 1978 4. The Disembodied Fry: William S. Burroughs and Vocal Performance / Landon Palmer Cut-up with Limericks, William S. Burroughs, typescript, 1971 5. William S. Burroughs' Spirit of Collaboration / Allen Hibbard SECTION II: SPACE/TIME 6. Burroughs and the Biosphere, 1974-1997 / Kathelin Gray The Permissive Society, William S. Burroughs, typescript, 1971 7. Beat Regionalism: Burroughs in Mexico, Burroughs in Women's Studies / Aaron Nyerges Collage of Newsclippings, William S. Burroughs, facsimile, 1970 8. Interference Zones: William Burroughs in the Interstices of Globalization / Timothy S. Murphy On China 9. Cut-Up City: William S. Burroughs' "St. Louis Return" / Eric Sandweiss SECTION III: WORD/IMAGE On Addiction 10. William S. Burroughs' Imperial Decadence: Subversive Literature in the Cynical Age of the American Century / Alex Wermer-Colan Opium Collage, William S. Burroughs, typescript, Dream Rat Calendar, Monday Bellevue 4, 1970 11. Naked Lunch and the Art of Incompleteness: The Use of Genre in Burroughs' Book and Cronenberg's Film / Joshua Vasquez The Fall of Art 12. Queer Outlaws Losing: The Betrayal of the Outlaw Underground in The Place of Dead Roads / Kurt Hemmer Thinking in Colors 13. Rimbaud and Genet, Burroughs' Favorite Mirrors / Véronique Lane SECTION IV: CUT/FOLD On the Cut-Up 14. Cross the Wounded Galaxies: A Conversation about the Cut-Up Trilogy / Davis Schneiderman and Oliver Harris The Photo Collage: Watergate 15. "Word FallingPhoto Falling": William S. Burroughs and the Word as Written Image / Blake Stricklin Cutting Up Scientology 16. Mutable Forms: The Proto-Ecology of William Burroughs' Early Cut-Ups / Chad Weidner SECTION V: BODY/SPIRIT The Wild Boys, A Pornographic Screenplay 17. William S. Burroughs, Transcendence Porn, and The Ticket That Exploded / Katharine Streip Dream Note on Indictment for Murdering Joan, William S. Burroughs 18. Gender Trouble: A Critical Roundtable on Burroughs and Gender / Ann Douglas, Anne Waldman, and Regina Weinreich Cutting Up Last Words 19. The Burroughs Effect / Anne Waldman Root Face, William S. Burroughs, facsimile, 1987 Index
Acknowledgments Collage of Time Harvard Lampoon Parody, William S. Burroughs, facsimile, 1965 Introduction: Cutting Up the Century / Alex Wermer-Colan and Joan Hawkins Biographical Timeline Metamorphosis 1. Cutting Up the Century / Oliver Harris The Reality Studio SECTION I: ICON/VIRAL Deposition of the Ugly Spirit, William S. Burroughs, typescript, Villa Muniria, Summer 1961 2. Burroughs and Biography: An Interview with Barry Miles / Oliver Harris Cutting Up the Critics, typescripts, 1962-64 3. The Nova Convention: Celebrating the Burroughs of Downtown New York / Kristen Galvin Nova Convention Poster, Sylvere Lotringer, facsimile, 1978 4. The Disembodied Fry: William S. Burroughs and Vocal Performance / Landon Palmer Cut-up with Limericks, William S. Burroughs, typescript, 1971 5. William S. Burroughs' Spirit of Collaboration / Allen Hibbard SECTION II: SPACE/TIME 6. Burroughs and the Biosphere, 1974-1997 / Kathelin Gray The Permissive Society, William S. Burroughs, typescript, 1971 7. Beat Regionalism: Burroughs in Mexico, Burroughs in Women's Studies / Aaron Nyerges Collage of Newsclippings, William S. Burroughs, facsimile, 1970 8. Interference Zones: William Burroughs in the Interstices of Globalization / Timothy S. Murphy On China 9. Cut-Up City: William S. Burroughs' "St. Louis Return" / Eric Sandweiss SECTION III: WORD/IMAGE On Addiction 10. William S. Burroughs' Imperial Decadence: Subversive Literature in the Cynical Age of the American Century / Alex Wermer-Colan Opium Collage, William S. Burroughs, typescript, Dream Rat Calendar, Monday Bellevue 4, 1970 11. Naked Lunch and the Art of Incompleteness: The Use of Genre in Burroughs' Book and Cronenberg's Film / Joshua Vasquez The Fall of Art 12. Queer Outlaws Losing: The Betrayal of the Outlaw Underground in The Place of Dead Roads / Kurt Hemmer Thinking in Colors 13. Rimbaud and Genet, Burroughs' Favorite Mirrors / Véronique Lane SECTION IV: CUT/FOLD On the Cut-Up 14. Cross the Wounded Galaxies: A Conversation about the Cut-Up Trilogy / Davis Schneiderman and Oliver Harris The Photo Collage: Watergate 15. "Word FallingPhoto Falling": William S. Burroughs and the Word as Written Image / Blake Stricklin Cutting Up Scientology 16. Mutable Forms: The Proto-Ecology of William Burroughs' Early Cut-Ups / Chad Weidner SECTION V: BODY/SPIRIT The Wild Boys, A Pornographic Screenplay 17. William S. Burroughs, Transcendence Porn, and The Ticket That Exploded / Katharine Streip Dream Note on Indictment for Murdering Joan, William S. Burroughs 18. Gender Trouble: A Critical Roundtable on Burroughs and Gender / Ann Douglas, Anne Waldman, and Regina Weinreich Cutting Up Last Words 19. The Burroughs Effect / Anne Waldman Root Face, William S. Burroughs, facsimile, 1987 Index
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