Even now, Donly suggests, there may be a way of living in radical tenderness that will spell a way forward rather than the end of it all. —Kate Dakota Kremer, CultureBot Two horses in a neigh-scent relationship, a vacant treehouse in need of a tenant, and a human with a grape for a head. In Corinne Donly's buoyant adaptation of Hieronymus Bosch's fifteenth-century triptych The Garden of Earthly Delights, syllables combine to make words and people to make lovers. An elegy to vestiges, a paean to puns, and a theater of peace, Wood Calls Out to Wood pursues Bosch's old paradise through a new alchemy of love, language, and radical tenderness.
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