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Even now, Donly suggests, there may be a way of living in radical tenderness that will spell a way forward rather than the end of it all. —Kate Dakota Kremer, CultureBot Two horses in a neigh-scent relationship, a vacant treehouse in need of a tenant, and a human with a grape for a head. In Corinne Donly's buoyant adaptation of Hieronymus Bosch's fifteenth-century triptych The Garden of Earthly Delights, syllables combine to make words and people to make lovers. An elegy to vestiges, a paean to puns, and a theater of peace,  Wood Calls Out to Wood pursues Bosch's old paradise through a new alchemy of love, language, and radical tenderness.…mehr

Produktbeschreibung
Even now, Donly suggests, there may be a way of living in radical tenderness that will spell a way forward rather than the end of it all. —Kate Dakota Kremer, CultureBot Two horses in a neigh-scent relationship, a vacant treehouse in need of a tenant, and a human with a grape for a head. In Corinne Donly's buoyant adaptation of Hieronymus Bosch's fifteenth-century triptych The Garden of Earthly Delights, syllables combine to make words and people to make lovers. An elegy to vestiges, a paean to puns, and a theater of peace,  Wood Calls Out to Wood pursues Bosch's old paradise through a new alchemy of love, language, and radical tenderness.
Autorenporträt
Corinne Donly is a playwright, an educator, and a lover of all things liminal. Their work often attempts to reimagine narrative structure via principles of ecology and play theory. Recent plays include Wood Calls Out to Wood, Orchid Receipt Service, Because of the Mud, and Sentience Structure #1. Donly is a former Trans Lab fellow (co-sponsored by the Public Theater and WP). They hold an MFA in playwriting from Brooklyn College, an MA in Integral Ecology, and a BFA in acting from NYU’S Experimental Theatre Wing.